Posts Tagged ‘cat’

mary’zine random redux: #9 December 2000

July 20, 2009

I read the following letter in Miss Manners’ column the other day and was quite shaken by it.

IMPERSONAL LETTERS WORSE THAN NONE

Dear Miss Manners: Recently I’ve received letters without any personal touch. These writers discuss activities, life and the future, but never mention personal views relating to the recipient and never answer questions nor issues raised in past letters to them. It is not a one-time thing. One young writer has sent five such communiques—four pages each, informative, insightful, incisive, but with zero “sharing” and/or a sense of one-on-one communication. This may help high-track movers fulfill their social responsibilities to communicate with others, but to the recipients it becomes another sample of Christmas-letter indifference and laziness.

This letter is real. However, I have fabricated the response I wish Miss Manners (who instead agreed with this misguided soul) had made.

Gentle Reader: Get over yourself. Not everything is about you, you, you. These impersonal letters are called ‘zines. The high-track movers who write them work long and hard to make them informative, insightful, and incisive. Kwitcherbellyachin’. If you want “sharing,” get a dog.

But seriously, folks, thanks for renewing. My audience is small but very hardcore. Speaking of hardcore, I was going to surprise (shock) you with an X-rated issue this time, but then I realized it’s December, the time of little children and sugar plum fairies, the time of that other X—the one who put the X in Xmas—and I decided to postpone the profane revelations for now. Consider this a naughty tease.

Of course, an X rating would have been one way to distinguish the mary’zine from those other mimeographed (aesthetically speaking) “Christmas letters of indifference and laziness”—but this way you’ll have something to look forward to—out of morbid curiosity, if nothing else.

Xmas-wise, I mostly turn a blind eye to the goings-on and just wait for it to be over. I fully support the Buy Nothing movement and would like to extend it to Do Nothing. I get so tired of all the hype about how well (or badly) the merchants expect to do this year—now with the added suspense about whether people will continue to buy via the Internet—with follow-ups after the 25th on how well they did do and what it all means to the continuation of Western civilization as we know it. But I have to admit, I’ve had some lovely Christmases, spiritual ones, mostly with people who weren’t Christians, come to think of it—where we were able to touch into what Deepak Chopra meant when he said, “We are not human beings with occasional spiritual experiences, we are spiritual beings with occasional human experiences.” This is a place I often touch through painting, and maybe that’s what I miss when I look around and see so much hoopla about commerce and so little of the contemplation and reverence that should be the basis for a holy-day of a major religion.

But just on the level of navigating the highways and byways, I always breathe a sigh of relief on January 2. Back to real life, when I can go out and buy socks or toothpaste without fighting the frantic holiday crowds. Funny, when I had a job, I used to get really depressed in January—all those nice paid holidays were over. Now I don’t get paid for holidays (or sick days or vacations); I work 6 days a week. I bill by the hour, so I only get paid for the time I actually work (vs. the average 4 hours of work that most employees do in an 8-hour day); I have no guaranteed income—I have to accrue it $100 or $300 at a time and hope that the work will keep flowing my way; and—guess what—I’m not only happy as a clam but my favorite day is Monday and my least favorite day is Friday. How’s that for weird? I can’t really explain it. My world has been turned on its axis, and it seems to suit me just fine.

Being self-employed isn’t for everybody, and frankly, I’m surprised it’s for me. I don’t have nerves of steel. I’m not super well organized. Discipline is not my middle name. I love working at home, with no one looking over my shoulder, but it’s a constant struggle to keep the tide of household distractions from washing away the sand castle that is my daily accrual of Billable Hours. When you work at home, home becomes this enormous sinkhole of energy and demand. You wouldn’t think so if you saw my house, because it’s not like I spend much time cleaning it, but all my stuff is here, and it calls to me. The washing machine calls to me to put a load of clothes in while I’m fixing my morning snack of peanut butter and rice cakes. The cat box, the cat dish, the cat water bowl, the cat—all of them call to me to take just a minute or two away from that fascinating manuscript about the phylogeny and evolution of low-G+C gram-positive bacteria and scoop, feed, water, or pet. My bed calls very loudly from the next room, especially after lunch—Maaaaary, you are getting sleeeeeepy. I don’t dare open the mary’zine file until my workday is done, because I’ll get sucked in and won’t even notice the hours slipping by.

I do miss having coworkers to hang out with, but I try to take up the slack by e-mailing my colleague Ellie on the other side of the continent. Mostly, we talk about the project I’m currently working on for her, but there’s always room for a weather report (S.F. and D.C.—always opposite), a story about the family (her) or the cat (me), or a joke about George W. Bush.

And of course, Pookie is always a force—sometimes for good, sometimes for eleven smatterings of throw-up across two rooms, which I found when I went downstairs today. He mostly likes having me around, but sometimes I think he sees me as the retired husband who’s always underfoot. He’ll be resting quietly—lounging on a piece of cardboard, as if it’s the finest satin sheet—and I’ll go up to him, all cooing and petting. He’ll crack one eye open, and his look says it all: “Don’t you have work to do?” But sometimes he really seems to get a kick out of me. He likes it when I sing and dance for him when a good song comes on the radio. One day I was doing my serenade routine, singing along to a catchy new song with my arms spread wide, addressing him at high volume—which always makes him perk up, if only to look for an escape route—and I suddenly realized that the lyrics coming up were: “BE my… beeee myyyy… pussycat…pussycat…” and I collapsed in giggles. He gazed at me, pretending to be captivated by my performance, but I knew he was thinking, “Somebody’s bipoooooolar….”

People who work regular jobs have no idea how fast a day at home can fly by. I used to picture myself going out for breakfast, dawdling through the hours I saved by not commuting. Ha! I swear there must be a special subsection of the theory of relativity that covers the paradox of Home Time vs. Job Time. At my job, it was all about finding ways to relieve the boredom—talking to coworkers, running in the park, going for coffee, playing computer solitaire. I still watch the clock at home, but it’s for the opposite reason: Damn, I’ve only worked 1.5 hours this morning, and it’s already time to go for my haircut—or to the dentist—or shopping for dinner—or going to the ATM, post office, Fed Ex, library, bookstore, drug store, or a million other destinations. Suddenly I’m Errand Girl. When did I used to do errands? Did I even have errands? Now, errands are my life. When Home isn’t calling me, Stores are calling me. Life suddenly wants me to be everywhere but at my desk working, and all I want is to be at my desk working. It’s insane. The few days when I have food in the house and have no appointments or other reasons to go out, I’m in hog heaven, if hogs liked to work.

And at the end of the day, I’m like Silas Marner, counting up my gold coins. I guess I would feel more secure having a regular salary, but there’s something about having to earn it one drachma at a time that adds a little spice to the working life. When my job ended, I honestly thought I was going to end up a bag lady. Who would have thought I’d enjoy living on the edge?

ferry tale

If you do not compare yourself with another, you will be what you are.
—Krishnamurti

So can you stand to hear another travel story? It’s pretty exciting, and I don’t want to overstimulate you.

I recently had a birthday. I had decided that this year on my birthday, I was going to take the ferry from Larkspur to San Francisco, no matter what. I’ve lived in the Bay Area for 27 years, and I had never taken the ferry, except for a short jaunt on the Tiburon ferry to Angel Island many years ago. I have wanted to do this for a long time but kept putting it off, mostly because I was afraid I wouldn’t know where to buy my ticket, where to board, where to get off, what to do after I got off, etc. Face it, I am a big chicken, sQUAWWK.

But my trip to Massachusetts (zine #8)—mundane as it may seem to a seasoned traveler—taught me that, first of all, one person’s comfort zone is another person’s scary unknown. Risk is relative. Some people, crazily enough, would find it scary to write a one-woman ‘zine and send it to all their friends. Ha-ha-ha! And some people, sad to say, find the thought of any form of travel that is not conducted from behind the wheel of one’s own car quite daunting. So let’s not judge.

One of my projects in middle life has been to learn the belated lesson that, when you try something new, mistakes are not only surmountable but inevitable. So when I planned this birthday ferry trip, I gave myself permission to make all the mistakes I needed to. I decided it would be a fact-finding mission, an initiation into the mysteries of watery public transportation. I wouldn’t have to do anything earth-shaking (which is the last thing you want to do in S.F. anyway) or glamorous upon arriving on the far shore—just getting there and back would be enough for this maiden voyage. If I managed to walk around for a bit and find a place to eat lunch, that would be the icing on the birthday cake.

It was a good thing I had given myself this permission, because my first mistake was to think I could blithely drive up to the ferry parking lot at 10:00 a.m. on a weekday and park. What was I thinking? The commuters fill the place up by 8:30. A uniformed man turned me away but said I could probably find a spot across the road at the Marin Airporter lot. Fortunately, I had parked there for the Massachusetts trip, so I knew what to do. It was a relief to hustle back on foot (threading my way through the acre of cars), find the ticket window, and still have a little time before they let us board. Just that little victory left me feeling flush with success.

On the ferry, I immediately headed for the outside deck. There was less chance of getting seasick out there, and the main point of the trip was to enjoy the view of the bay and the skyline, smell the sea air, and all that. Within minutes, I was joined by a youngish guy wearing shorts, polo shirt, and baseball cap and carrying a knapsack. He asked me if this was the only deck, and I said I didn’t know, I’d never ridden the ferry before.

“Oh, so you’re a tourist too?”

“No, I live here, but I’ve just never….” I trailed off, embarrassed.

To my surprise, we fell into a conversation. I asked where he was from—he had a Spanish accent—and he said “St. Louis.” So much for assumptions. Marty said he loved the Bay Area but that he wouldn’t want to live here because of the way Latinos are stereotyped. He told me he had been driving around lost in his friend’s car that morning, looking for Larkspur Landing (he had driven over to Marin from Oakland! And I had been nervous coming from a couple miles away!) and he had ended up on that strip of Bellam Blvd., in my neighborhood, where Hispanic men gather every morning, hoping to get a day’s work. He had gotten out of his car to ask a passing pedestrian how to get to the ferry, and before he could finish his sentence, she had said, “Yes, this is where you stand.” Obviously, she had assumed from his accent that he was one of the day laborers, even though he was dressed like a tourist.

Marty said to me, “I was offended by that. I am an educated man. In St. Louis, I am treated with respect.” That surprised me, because I would have expected California to be a more hospitable place than the Midwest for any person of color. My assumptions were crumbling fast.

But I immediately understood the seeming discrepancy, and I told him about how, in the Midwest, no one would look twice at me, but here, in the supposed gay mecca, I get harassed all the time. He couldn’t believe it. Turns out he was gay, too (my gaydar had failed me), and he wanted to believe that San Francisco was the Shangri-La he had always thought it to be. But it was exactly as he had been saying about Latinos. The more exposure you have as a minority, the more crap you’re going to get. I think I really burst his bubble.

Marty said he owned three doughnut shops in St. Louis and paid $400 a month rent for a 2-bedroom apartment in a nice area. I oohed and ahhed but politely didn’t say, “But you have to live in St. Louis.”

So we talked all the way across the bay, and the ride was over much too quickly. He had a big day planned—even though rain was threatened, he was going to take BART to the Castro, rent a bike in Golden Gate Park, and ride to Land’s End to check out the nude beach. He hugged me and said, “I hope everyone is as friendly as you are.” I almost choked. I guess it’s true what they say about travel—even 30 minutes of travel a few miles from home—you can be whoever you want, because no one knows any different.

After we landed, he took my picture, and I decided to accompany him up Market to Powell St. So we found the Embarcadero BART station, bought tickets, and descended to the lower level. I had shared with him my near-native knowledge of the BART system, except that I had gotten it confused with Muni and gave him entirely the wrong directions. Fortunately, I realized my mistake in time, though I felt like a complete idiot. (Fact-finding mission, I had to remind myself. Fact-finding means you can’t get the facts until you find you don’t know them.)

On the train, he mentioned that he was always looking for a boyfriend, and I teased him about meeting me instead. He said, “I don’t talk to men, they’re too intimidating.” I said, “I don’t talk to lesbians, either.” We cracked up. Despite gender, age, and ethnic differences, we were totally in synch.

Finally we bade each other farewell, and I got off at Powell and started walking in the direction of Folsom St. I had cut out a newspaper article about restaurants in the city and decided to try to find a place called Mo’s Grill. It turned out to be inside Yerba Buena Gardens, a fact it took me quite a while to find. But I felt so proud of myself when I was finally seated at a table by the window. My favorite singer, Van Morrison, was singing “Brand New Day” in the background, and I smiled to myself, an in-joke in my crowd of one. I had arrived, I had navigated my way across miles of water and city sidewalk to this oasis of urban delight, and I couldn’t have been more pleased.

Unfortunately, the Dramamine I had taken “to be on the safe side” in case the bay was choppy started to take its toll on my energy level, so I decided to head back to the Embarcadero right after lunch. I passed by the Museum of Modern Art, so I went into the gift store and bought myself a t-shirt—hypocritically, since I have zero interest in what the “art world” is up to these days—then wound my way through the lunchtime crowds—9-to-5’ers, eat your hearts out—and retraced my steps to the waterfront. For the last two blocks I got drenched by a sudden rainstorm and instinctively cringed from the rain until I realized it didn’t matter if I got wet—I was wearing my new microfiber, weather-resistant jacket.

By now I felt like an old hand at this ferry-riding business, but I congratulated myself too soon. After handing over my return ticket, which I had carefully placed in a special compartment of my satchel, I sauntered around, waiting patiently to board. I was pleasantly full and not unpleasantly doped-up from the Dramamine. A uniformed man came along and said the Larkspur ferry would be leaving “all the way to the end of the pier,” so I marched down there, suddenly full of myself and my new travel smarts. Way before the place where the ferry was docked, there was a little closed gate barring the way, so I blithely lifted the pole that kept it in place—proud that I saw instantly how it worked—and was immediately yelled at by the ferry workers, “Go back, go back! Close the gate!!” as if I had wandered onto a firing range. Trying to maintain my cool, I replaced the gate pole in the slot and turned to see about 15 people behind me, people who all knew to wait behind the gate and were no doubt thinking what an idiot I was. But who knows, maybe there was someone in the crowd who would have done the same thing and was giving silent thanks that I had gotten there before she did. Soul sister, this mistake’s for you.

I enjoyed the ride back to Marin. This time I was alone on the deck, so I got to watch the S.F. skyline, the Golden Gate Bridge, and the beautiful storm sky. It started pouring rain halfway across, so I went inside, where it smelled like a bus and was full of silent, world-weary—or at least ferry-weary—commuters working on their laptops. I went back outside as soon as the rain cleared. The sense that I could move, change my mind, make decisions, not know in advance what seat to take or what gate to go through seemed terribly liberating, though of course only on the tiniest of scales, and mostly in principle. I am not yet ready for India.

Half an hour later, we arrived in Marin, home sweet home. Trudging through the parking lot, across the pedestrian bridge, and over to the Marin Airporter, I was exhausted and my feet were killing me, but I was feelin’ fine… until I got to the counter where I had to give the man my parking stub. Oh oh. I had thought I’d put it in the special compartment of my satchel, but no, that was the ferry ticket. I started frantically looking through my bag, with a horrible sinking feeling that I had somehow managed to drop my parking stub instead of my ferry ticket in the ticket receptacle at the ferry. If I showed the airporter guy my ferry ticket, would that convince him that I had made an honest mistake and didn’t have to be charged for 30 days of parking?

Me: I don’t seem to have my ticket.

Him [with the most impassive face I’ve seen since Mt. Rushmore]: I need it.

What made it 1,000 times worse is that he was the same guy who had witnessed my losing of the bus pass when I went on the Massachusetts trip. I was even wearing the same clothes. Surely he wouldn’t remember me, surely this sort of thing happens all the time? He continued to stare at me, giving nothing away. Finally, I pulled the stub out of my jacket pocket, where I had carelessly stuck it instead of preserving it in a special compartment. Thank God. Thank you, thank you, beneficent God Almighty.

I can’t help it that everything in my life is a big deal. And actually, there’s an up side to that. If the smallest venture out into the world is difficult for me, then even a small adventure will reap great rewards. It’s that relative-risk thing I mentioned earlier. I see it as a kind of emotional homeopathy. Other people have to jump out of airplanes or climb mountains or seek out dangerous rivers in the jungle to have a feeling of adventure. All I have to do to push the envelope is to lose a ticket or go through the wrong door. My skydive, my mountaintop, my Amazon river is all around me. I’m just living on a smaller scale than some people—like that species of moth or butterfly that only lives for 24 hours.

In my defense, I’ve faced many big challenges on my own—I’ve moved to other states, bought a condo, had a successful career, started my own business—and, of course, I live alone, which creates all sorts of opportunities for bravery—but in some perverse way, the small unknowns can be more daunting than the big ones.

the heart of creation

…when I picture my mother playing the piano, I think of a stillness, a pinprick of a place inside her that is profoundly still. I wonder if a sublime quietness is at the heart of creation.
—Jane Hamilton,
Disobedience

But the unknown can get even smaller(bigger) than taking a public conveyance across small waters. Change and movement can be, quite literally, a walk in the park. I went to painting class one Wednesday morning and started a new painting. I had no idea what to paint, so I started with myself—a peach-colored blob for my head and peach blobs for torso and hips, and longer peach extensions for the limbs. I was supremely not knowing what to do, but for some reason my guard was down and I wasn’t too worried about it. I just let it develop any way it wanted to. One thing led to another, and I ended up in a kind of trance state, painting my internal organs—stomach, heart with tubes sticking out, plus lots of imaginary organlike structures, none of which followed any rules of color or shape or function. I spent two and a half hours painting this strange body, or rather, letting it paint itself.

In the group sharing afterward, I felt stoned, deeply touched. I looked around, and everyone in the circle looked like a heroin addict after getting a fix—but it wasn’t lassitude, it was a deep, quiet presence. No one was preoccupied with being somewhere else, no one was putting on a façade or resisting the silence.

I’ll never get over how strange it is that when you go deeply inward, you connect up with everyone else who is deeply inward. You’ve all been in your own worlds, literally with your backs to each other, for 2 or 3 hours, and when you stumble out of the painting room and try to find words to express what happened, you find you can just look in people’s eyes or make a tiny joke, and you’re all right there, together, as if you’re all the same person with many different faces. Strange that it takes diving into your uniqueness to discover your commonness with others on a heart level. This is what the “creative process” is about, not what ends up on the paper.

It’s not that painting always manifests as this stoned bliss of connectedness, but when it does, it’s a gift. On this day, the afterglow lasted for hours. I didn’t want to leave the studio, but at 1:30 I couldn’t ignore my hunger pangs any longer. So I went off to get my usual burrito and eat it at my usual spot—Stow Lake in Golden Gate Park. But what wasn’t usual was that I wasn’t in a mad rush to get home to take a nap or check my e-mail. I felt like I was in love with everyone I saw—it was as if everyone was a walking archetype, vulnerable and simple—part of the human family. The young people, the old people, everyone so perfectly themselves. In some cases you could see the pain etched in their faces and in their posture. This one bent old woman walked toward me as if pushing into a steady wind—well, it was pretty windy that day, but she looked like she’d been pushing for a long time. I ached for her in a way that (needless to say) I don’t usually allow myself to do. We think it would drain us to feel so connected to other people; we don’t realize that that connection is what keeps us alive. What’s draining is to insist on our separateness.

It was a beautiful day in San Francisco—cool and sunny, with a fresh ocean breeze that ruffled the treetops and filled my lungs with cool air—and I lost all unfaithful fantasies of moving back east. After I ate my burrito, I walked around the lake, loving every sight and smell. I wanted to drink it all in—the cloudless blue sky, the ducks floating peacefully in the water, the trees moving in the wind. It’s not that I felt like a different person—I was aware of my usual reactions—but I couldn’t be mad at anybody, even the woman who went into the men’s bathroom by mistake because she saw me coming out of the women’s. I walked toward a sea of pigeons on the sidewalk, getting ready to be annoyed at the man who was feeding  them, but just as I was about to gear up for my internal diatribe, I came closer and we looked at each other, and I was struck by the kindness in his face. He was wearing green scrubs; there was an old woman in the car, dozing in the front seat with the door open while he fed the birds. Was he a nurse? I took all this in in a millisecond, and then I smiled and said “Hi,” and he smiled beautifully back at me. Was this his usual smile? Was he just naturally sweet? Or did I give him something to which he was responding? It was the briefest possible encounter. Is it really possible to make a difference in the world with just a smile at the right moment? It’s so easy to think of all the times our kindness or generosity fails to transform a moment or to have any effect at all—but I suspect we don’t even know, most of the time, what sparks we emit or what encouragement we give just by being aware of each other.

It was like that—magical—all afternoon. I didn’t even mind the other cars on the road. The radio kept playing all these sweet songs—“What If God Was One of Us?”; “Let go your heart, let go your head, and feel it now….”; U2’s “Beautiful Day.” I was going to take a nap when I got home, but there was work for me by e-mail. So I spent 2 hours editing a business plan for a biotech startup instead, and even that didn’t bother me. I just felt grateful for having a successful business and having the freedom to schedule my own work and take time to drive to the beautiful city and paint gory, beautiful self-innards, and see my beautiful friends and feel that deep connection that seems so elusive and yet is so available, why do we not always feel it?

To me, that day was a day spent traveling, though I walked in the same steps I’ve walked many times before. It wasn’t about covering miles or discovering cultural differences. It wasn’t about being a stranger in a strange land—except, perhaps, the land of Love. It wasn’t about bearing discomfort or proving one’s fortitude. It wasn’t about going out at all, though I felt I extended myself. Mostly, it was about opening up to the vast world that lives inside of us. It’s not a world you can buy a ticket to, you have to have faith and be a little diligent about gaining entry. Sometimes travel isn’t about conquering the world or confronting strange customs or difficult terrain—it can be about making a small inroad on your own sense of isolation, and discovering that the world will come to you.

[Mary McKenney]

mary’zine random redux: #33 Summer 2005

July 19, 2009

I’m slouched in my big red comfy armchair, enjoying the luxury of central air conditioning and trying to decide if I should (a) edit the paper on cytomegalovirus that came in last night, (b) take a nap (I’m halfway there, if you really want to know), or (c) eat lunch. Pookie is lying next to the chair in front of the heating—or in this case, cooling—vent. He hasn’t been feeling well, so I’m not sure why he wants to be blasted with cold air, but if any creature knows what it wants, it’s the Poo man.

pookie’s seizures

Pookie has had a rough time of it lately. I took him to a new vet to see what condition his condition was in. He’s been in renal failure for about a year, and lately he’s been having “seizures.” (I think they’re actually more like “episodes of loss of motor control,” but I’ll call them seizures anyway.) I’ll hear a thump! and look to see that he’s fallen over, limbs spazzing, body contorted. I scoop him up and hold him close for a minute or two until the spasms pass and he can get down and wobble off on his own. There’s a definite advantage to being a cat in this situation, because he just goes on with his life, leaving me to worry for the both of us.

The other cats in my family tree go to a clinic in Marinette, but Barb had told me that the best vet there, Dr. V, had recently retired, moved to Green Bay or something. Besides, I wanted to find one in Menominee to cut down on drive time…. specifically, drive time with unhappy mraw-ings from the back seat.
I didn’t have much hope, because Barb and K had both said that the vets over here mostly work on farm animals. Cows? In Menominee? I saw cows and horses every day while driving down the freeway in Marin County, and haven’t seen so much as a chicken here. When I told K this, she exclaimed, “Well, we don’t keep them in town!”—like I’m some hick who lets the pigs sleep in the dining room.

I checked the phone book, and lo and behold, the Bayshore Veterinary Clinic is barely a mile away. I called and made an appointment and brought Pookie in later that day. I hate going to the vet, partly because I’m embarrassed that Pookie’s fur is so matted. I pull clumps off him all the time, but I feel like the little bird that comes once every thousand years to the mountain and takes away one grain of sand, and when the whole mountain is gone, that’s when eternity will begin. When Pookie’s clumps are all gone, eternity will just be finishing up. I once took him to a professional, who got him de-matted all right, but he wouldn’t speak to me for 3 days and I hated to think of what she did to him to keep him from scratching her eyes out.

While we wait for the vet in the examining room, his assistant, a middle-aged woman, is checking Pookie out. I can tell she’s judging me for not having good cat hygiene, because she takes a comb out of a drawer and holds it up like it’s a rare artifact known only to the Rosicrucians, Veterinary Division. “You can get them at Kmart,” she says, helpfully. I say I have one, and she’s all disbelieving, “You DO?” Just then the vet comes in, and guess what? It’s Barb’s Dr. V! He hadn’t gone to Green Bay, he’d only migrated over the bridge. I mention Barb’s name, and he remembers both her and her cat and goes on to regale the assistant with the story of LaMew getting shot in the elbow.

Dr. V goes to work on Pookie, sticking a thermometer up his butt while checking his internal organs (?) by squeezing up under his belly. Pookie’s butt is in the air, his back legs are helplessly straddling Dr’s V’s arm, and his face has a look of complete horror as he realizes he has become Dr. V.’s bitch. While this is happening, the vet assistant is taking the comb and gently wisping it over Pookie’s back, removing approximately one cubic millimeter of fuzz at a time and dropping it carefully into the wastebasket. She has the decency not to say, “See how easy it is?” but this also robs me of the opportunity to counter with: “Yeah, well at home there’s no one to distract him by CRAMMING THINGS UP HIS ASS.”

Dr. V doesn’t know if the “seizures” are related to the renal failure; they could be a sign of “kitty dementia”—uh-oh, me and Ruth Fisher, sisters in bondage to the mentally ill—so he gives me a mixture of amoxicillin and prednisone to squirt into Pookie’s mouth twice a day. Oh joy. Oh frabjous joy.

After a few days on this regimen, Pookie starts vomiting and leaving little piles and dribs and drabs of diarrhea on my nice oatmeal-colored carpet. He’s also listless and unsocial, and I find him curled up in odd corners of the house, like next to the vacuum cleaner (his mortal enemy) in the downstairs bedroom. If I’m around when he has a seizure, I pick him up and press my face against his furry head and try to remember the feeling for when I don’t have him anymore. It occurs to me that I’ve been living in a state of grace for the last few years, since his near-death from a bladder infection, when I hardly cared whether he lived or died. If he had gone to his Maker then, I doubt that I would have felt more than relief. No love = no pain. No wonder so many people go that route. But I was given the gift of his return, along with the blessing and the curse of love, and now it hurts like hell to think we may be coming to the end.

baby robins

But where there is illness and the knowledge of certain death, there is also birth—three little robins on top of a light fixture on my back porch, in this case. Mère and Père Robin take turns bringing the little ones worms, which they drop into the gaping mouths that seem too big for their wobbly, fuzzy little           heads. I’ve never seen a bird family this close up. You haven’t seen beady eyes till you’ve seen a mother bird guarding her babies. And the feeding ritual seems a bit strange. Mère or Père flies up to the nest—the babies have had their heads sticking straight up and their mouths wide open for a good 30 minutes already—and drops a big wad of wriggling worms into one of the mouths (“Here, hold this”) and then takes them back a bit at a time, makes worm mash out of them, and feeds the other big mouths.

But gosh, the kids grow up so fast. One day the strongest of the three babies—its chest starting to fill in with orange tufts—was standing at its full height, flapping its wings like crazy. I hoped against hope that I was about to witness baby’s first flight, but apparently it was just a dress rehearsal. Can you imagine spending the first weeks of your life in a tiny spit-glued grass bowl with two siblings who are getting bigger by the day like you, and Mom comes home every night and squeezes in, too…. and then all of a sudden, you realize… “I’m born to FLY! I’m going to spread my wings and leave this two-bit nest behind!” Can you imagine the relief?  A few days later, the babies were all gone, and I was surprised at how let down I felt. Empty nest syndrome, indeed.

I’m flattered that the robins chose my porch to start their family on. It makes sense, though—I provide quite the little birthing center out there: fresh water, an ample supply of dry food (seeds) and wet food (the aforementioned worms), and, of course, shelter—everything but flying lessons and foot massage. And then there’s the “garden.”

The people I bought the house from had an aboveground swimming pool. So when they moved and took the pool with them, I was left with an unsightly patch of dirt in the lawn. I wasn’t sure what to do with it, so K suggested I plant something there. We went to Erik’s Garden Center early one rainy Monday morning because she needed to buy her spring plants anyway. I was a little hesitant, because “Mary Mary quite contrary I may be, but don’t ask me how my garden grows, because it don’t grow shit.” But I was soon excited by all the different colors and types of plants. I ended up buying two hanging baskets of petunias—pink and white for the back porch and purple for the front porch—and, after much deliberation, two broccoli plants and a creeping phlox. (Because I follow my intuition, that’s why.)

K told me what fertilizer to get, we dug up the weeds in the dirt, and she planted the three little plants. Unlike the hard, dry piece of ground next to the patio at my condo in Marin, this dirt is really good, and we dug up many worms. More bisected worms than whole ones, but don’t they regenerate themselves? (Oh, the things I don’t know.) K saw some little maple treelings growing against the foundation of the house and said I should take them out. So I pulled them up by their roots and planted them in the dirt patch also. I never really expected them to live, so I planted them only about 4 feet apart. Could be interesting. Future generations can tell the story of how the hapless old lady who used to live here came to have Siamese-twin maple trees in her yard.

The robins aren’t the only satisfied customers out there. The bird bath is as busy as a public pool, and little birds flutter through the white-barked birch tree mocking the  jays and blackbirds that are too big to dine at the small feeder hanging there. There’s a whole flock of little birds that enjoy taking sponge baths in the 80% of the “garden” that has nothing but dirt in it. They squiggle themselves down and around until they’ve made a cozy indentation and then wriggle all over getting dirt under their wings and all over their bellies. Then they frolic in the broccoli forest or sit on top of the leaves and bite holes in them. I wonder if they’re completely delusional (look! it’s a lake!) or if they’re evolutionarily inclined to want to be covered in dirt.

home girl

One of the happiest outcomes of my moving here, so far, has to do with nephew Josh, K and MP’s younger son. K was having a rummage sale to which a lot of us had contributed our junk, and we were sitting around on lawn chairs in the driveway waiting for customers. Josh was feeling down because his dream of buying a house seemed to be on permanent hold. He and wife Jana lived in a trailer, and there was barely enough room for them to turn around. Even though Josh makes relatively good money as a ship welder, Jana works at Wal-Mart, which, ‘nuff said. They’d been looking at houses, all just out of reach financially, and were starting to think it would never happen.

I had bought MP’s original Ford Model-T running board, which is solid polished wood with a metal inlay. Josh offers to take it out to my Jeep, because it’s hella heavy and he’s a big strong guy. While he does that, I double-check with myself to be clear about what I’m about to do.

As he’s coming back from the Jeep, I go to meet him and say, “Let’s walk.” We walk around the corner, and I ask him exactly how much he needs for a down payment. It’s unclear, because he doesn’t know what they’ll have to pay for a house, what they can get for their trailer, etc. I explain that I don’t want to lend money to family: I don’t want to risk disrupting relationships if for some reason they can’t pay me back. Then I pause significantly and add, “But I’d be willing to give you $5,000.” He’s apparently having a delayed reaction to this news—or doesn’t trust his ears—because he says, “But then I’d have to pay that off, plus my other debts, and….” I stop and put a hand on his arm. “Josh. I’ll give it to you.” He starts to say “Noooo,” but mid-vowel I can tell he’s not going to waste time protesting. He wraps me in a big bear hug. “Thank you, thank you!” “I love you, Josh.” “I love you, Aunt Mary.” Then the music swells, and… wait, there’s no music. But I still feel like I’m in a movie.

This happened on the last day of April. I was surprised at how quickly they found a house they liked and made an offer on it. I guess you’d call it a “fixer-upper,” though they don’t use that term here—fixer-uppers are pretty much what you get. It’s in a pleasant neighborhood in Marinette, centrally located and not too far from K and MP. And it’s on Mary Street! When Josh tells people that I “made it all possible,” I quip that his moving to Mary St. was one of my conditions. I think they know I’m joking. And here’s another twist. When I moved back here last fall, Josh bought me a button that said “Mary is my homegirl.” Are we impressed with these tidbits of synchronicity, or what?

I’m thrilled that I was able to help them out. It feels a lot better than when I donated $1,000 to the Menominee High School scholarship program and found out the scholarship was awarded to the daughter of the financial advisor to the school district.

I’ve spent a lot of time thinking about how to handle having money when so many in the family are living from paycheck to paycheck. I haven’t really figured it out, so I just take it case by case. It’s still awkward to give a sizable gift to someone who can’t afford to reciprocate. I wonder if the saying “It’s better to give than to receive” isn’t the moral lesson we think it is, but rather a simple fact. Giving is a joy—though I realize it’s not everyone’s idea of a good time—but it can feel complicatedly ambivalent to receive: There can be shame that you can’t reciprocate; confusion about whether you’re supposed to try to reciprocate or merely accept the difference in circumstances; and fear that the other person’s generosity is masking an expectation or a form of one-upmanship… like now you owe them, regardless of what they say.

I think the economic disparity between me and other members of the family is still an issue, but I’ve realized that I can’t control anyone else’s feelings, I can only try to be clear about my own. I truly believe that it’s not important how much a gift costs—what’s important is the intention behind it. But we all grew up poor, and that can warp your sense of worth.

welcome to the dollhouse

Speaking of giving, one of the many things I appreciate about my sisters is that when they go rummaging, they’re always on the lookout for things I might like. Mostly, they’ll bring me crystals, crosses… anything different, colorful, or shiny to hang in my big windows. One day Barb called me from my driveway—that’s how she circumvents my request to “call before coming over”—and said they had a surprise for me. I had once mentioned that I’d like to have a dollhouse to make “dioramas” in the little rooms. Well, they had found a metal dollhouse that was exactly like the one I had as a little girl! I couldn’t believe it. I briefly wondered how they knew it was like the one I’d had, but of course!—they had played with it too—one of many hand-me-downs from me, first-born. I was touched that they had ceded it to me instead of one of them claiming it for herself or for a grandchild.

Late one night I felt inspired to do a sand tray (sans sand) with it. At first I was a little intimidated by the emotional baggage represented by this dollhouse. The fact that I was “playing” with it 50-some years later, a few blocks from my then-home, was a little mind-boggling, too. I wouldn’t be surprised if there was a “Twilight Zone” episode with this plot device…. doo-doo-doo-doo…. Woman plays with childhood dollhouse… After she puts all the dolls in it, they come alive and she becomes the doll! OK, Mare, get a grip.

So I started putting things in the rooms. It was physically more difficult than I’d expected, because, man, those rooms are tiny, and I’m so much bigger now. Duh. And I was really self-conscious at first—I was afraid I was going to keep such rational control of the imagery that I wouldn’t be able to forget myself and just let it flow. But sand trays always take you somewhere you didn’t know you were going to go, so I just… went.

In one of the upstairs bedrooms, I put three little pink rocking chairs in a row with a “bomb” in each one. (Me and my sisters?) A baby lay on the floor in front of them, and a red rubber skeleton hand edged into the room. Men (action figures, a.k.a. dolls) were climbing the sides of the house, trying to get in the windows, which have little open squares cut in the metal, so their arms reached through. In the bathroom I put a skeleton on top of a pile of knives. The living room filled up with tangled red wire, with a soft plastic skull stuck in the middle. A rescue squad vehicle sat halfway into the room. Little green soldiers on the outside took aim at the house.

I put a little pink baby on a makeshift bed in the other bedroom, surrounded by empty blue rocking chairs and a couple of skeletons standing like sentries at the front opening. The baby felt like my little brother Mike who died of leukemia. At that point I knew I was emotionally engaged. I put another baby in one of the rocking chairs, with no idea of who it could be. I didn’t worry that I was orchestrating the scene anymore, because my crafty conscious mind had let go. My “story” had been successfully interrupted, and I could do anything.

I put men climbing on the roof and trying to come down the chimney. One man was caught in a kind of metal mesh cage. There were chains hanging off the roof, black and red wire coming out of the chimney, a large skeleton hand, snakes, and an old light bulb filament. I wrapped the house in long strings of white beads. Long black rods poked through windows and bifurcated some of the rooms.

By now, the only room that had nothing in it was the kitchen. My parents weren’t even represented (details, details)… but all my energy was going to my brother. So into the kitchen went a little yellow crib with a baby in it, red and white flowers, a red plastic heart, and gold Christmas ornaments. The feeling of doom from the upstairs rooms (and the roof and the windows and the whole house, actually) was changing, and I felt a deep, unexpected pulsing of joy in my chest. I grabbed a small jointed skeleton with blue rhinestone eyes and laid it on the floor in front of the crib, and the “sand tray” felt somehow complete. It was then that I noticed that the skeleton had lost one of its eyes. My heart skipped a beat… then another. My brother had blue eyes and had to have one removed when he was a year old. I had often painted him with one closed eye and one bright blue one, and the image has always stayed with me.

This is what happens in the creative process. The mind holds on as long as it can, and then it lets go like a tired swimmer slipping under the waves. From the mind’s point of view, all is lost. But the giving in allows the power of the Mystery to take over. And then the mind has the grace to acknowledge and even feel gratitude for that all-embracing force and the surprising gifts it brings.

Actually, the feeling of getting in touch with the creative force, the Mystery, is not limited to “art.” At times I feel strongly—almost supernaturally—touched when I’m out in the neighborhood or even driving and fully take in the green of the big leafy trees, the lush carpets of lawn, the yellow-green light during a half-sunny/half-darkblue-stormcloud daytime thunderstorm. At those moments I feel swathed, or swaddled—held or holding, I hardly know which—by everything that is. I’m all alone and yet so big—amorphous—that there’s nothing and no one outside “me.” Just as when I’m in the creative flow, I’m only another form through which the prism of sensory experience is being filtered.

July 4

On the weekend before the Fourth of July, I asked Barb if she and Brian and Deb and the kids were going to have a cookout down in the park. She consulted Brian, who thought it was “a great idea.” So Barb went and bought most of the food, and Brian got a pork roast to grill for shredded pork sandwiches. I thought it was just going to be the six of us, but when I arrived, Deb’s brother and his girlfriend and their baby, two friends of Brian’s with their kid, Brian’s live-in and visiting kids, Barb’s daughter L and her husband with their two boys, and K and MP were all there. Deb’s nephew Devon, who’s barely 4 years old and small for his age, was making big circles around the park on a tiny motorcycle. MP was helping Brian dig up some dead rose bushes. Women bearing food were streaming into and out of the house like a line of ants.

K thought she should be helping set things up, but I told her we should take advantage of our elder status and sit out on the deck and have a drink. I’m a terrible influence on her.

Before the food was ready, it started raining, so they set everything up in the garage. The smokers stood at the open garage doors smoking and looking out at the rain. The radio was tuned to the oldies’ station, where every song seemed chosen for the weather: … listen to the rhythm of the falling rain… pitter patter pitter patter… oo-oo-ooh…. We sat on folding chairs awkwardly eating hot dogs and deviled eggs and chips and cupcakes on paper plates on our laps and trying to keep track of whose drink was whose. The kids—I think there were nine of them altogether—raced around the garage, weaving in and out among the adults, who were themselves constantly up and down getting food or going into the house or to their cars for something. Food and drink were spilled, napkins distributed, and second helpings helped. When the rain let up, Sarina and Devon went out and threw rocks at the puddles across the road. I went out to watch and realized that when I’m around kids, I constantly think something awful is going to happen—they’ll hit the neighbor’s cat with a rock… they’ll get too close to the road and get run over—and I’ll be left standing there, powerless. (Why this should be is a whole ‘nother story.)

While we were eating in the garage, I felt like a ghost—or close enough to a ghost, socially speaking, not to quibble about whether I was actually alive or dead. I felt like Scrooge watching the world go by without him (The Ghost of Great Auntie Present). None of the middle generation, the late-20- and early-30-somethings, so much as glanced in my direction. And how could I blame them? They have their kids and their houses and their jobs and their future to worry about. Deb’s family is unusually close-knot (ha! Freudian slip—close-knit), and all the brothers and sisters and the parents are in constant touch and routinely babysit each other’s kids and help build each other’s garages, redo bathrooms, whatever needs to be done. They’re like a giant, well-oiled family machine. It struck me that “family” is inclusive by being exclusive. Barb is one of the grandmas and Brian’s mother, but K and I are fairly expendable twigs on that limb of the family tree. I figure my only hope for feeling comfortable in that situation is to get in solid with the kids. Kids’ attention is fickle at best, but if I have enough one-on-one time with them, I’ll at least have a real connection there and not just be Grandma Barb’s peripheral “sister from California,” whose story is rapidly becoming yesterday’s news.

Here I am talking about connection, but I want contradictory things. Time goes on and one adapts, even to a miracle. But I want to retain the “disconnect,” the “synaptic gap,” the cognitive dissonance of wow, can you believe it, between life as I knew it a year or so ago and life as it appears to me now. I want to be immersed in the experience, but I also want to stand a little apart to maintain an awareness of what’s really going on here… what’s the deeper meaning there…. how does the past inform the present or the present redeem the past…  I’m interested in difference—the strange blessings and contradictions of life—and in trying to express what I see.

At one point, Barb says to me, “This is all because of you,” and I think, You mean no one else thought to have a Fourth of July BBQ? Odd, since I hate the Fourth of July! I’d just wanted to eat hot dogs and deviled eggs.

the grand-nieces

As much as I enjoy the grandkids, I’ve resisted babysitting them. As a teenager I hated being responsible for other people’s precious darlings and was beset by paranoid fantasies (if a man comes to the door claiming to be a relative of the parents, do I let him in or run and hide under the bed?). So I told Barb that I would invite the kids over for a sleepover in my attic room sometime, but she’d have to come with. Over the summer, when they’re not in school and their regular babysitter isn’t available, Barb has been watching them one day a week. I’ve taken to dropping by, taking them out to lunch, and playing a game or two until I desperately need to return to my solitary (big red comfy-chaired) existence. On one of the days that Barb was supposed to have the kids, she had an appointment, so I agreed to watch them for the 1 or 2 hours she would be gone. As the time got nearer, I began to regret my decision. I was afraid I’d just sit there in previous-babysitting-trauma-induced paralysis, one eye on the clock, too stiff to talk, let alone be an engaging companion–slash–loving great auntie.

The first 5 or 10 minutes alone with them were pretty much as I’d expected, until I realized that kids inhabit worlds of their own, and there wasn’t anything special I had to do. Sarina suggested playing dominos, so we did. We played the game where you start with double nines and progress through the double eights, double sevens, etc., until you run out of numbers. We had only got through the first couple of sets before both kids were lying face down on their chairs and playing the game from the floor. To give me a domino to play on the table, they had to go through numerous contortions to get the right one on the table and slide it over to me without being able to see. This gave them the giggles, and they kept up a chatterfest under the table about I know not what. At one point, Summer calls up from the floor, “Aunt Mary, look in the drawer.” I was sitting at the end of the table where there’s a small drawer, so I opened it and found the domino Summer had placed there. Gee, talk about resourceful… I guess when you challenge yourself to play dominos on two levels, you have to think on your feet, er, stomach.

When they got bored with that game, Sarina wanted to play Bingo, so she and I did that while Summer made bead bracelets. Bingo lasted about 5 minutes. Sarina won, so I think it was a case of quitting while she was ahead. Then she brought out Chutes and Ladders, which I knew was a famous kid’s game that I must have played before, but for some reason I couldn’t get the hang of it. The kids thought that was hilarious, especially when I tried to move my piece up the chute or down the ladder.

Next, it happened to be less hot than usual that day, so we went outside so they could play on their jungle gym. They showed off all their acrobatic tricks on the swings and with the hanging rings and did cartwheels on the lawn. I know it’s a cliché, but wow, the flexibility in their thin limbs! Their unflagging energy! Part of the jungle gym structure has ladders and a simulated “rock climbing surface” to climb up to a kind of treehouse, so I made a feeble attempt to follow them up while they squealed, backing up to the opposite side of the platform as I grabbed at them while teetering 12 inches off the ground. This led to their christening me the Lava Monster. (Don’t ask me why Lava.) They went running through the yard, and every move I made in their direction evoked genuine—or fake/genuine, if you see the distinction—terror and screams. I did indeed feel monster-like, roaring and occasionally grabbing hold of a passing arm and wondering what a Lava Monster was supposed to do if she caught one of them. Their shrill screams made me drop them pretty quickly anyway, so as to prevent permanent hearing loss (mine).

Finally, the grandma cavalry arrived. Though I hadn’t been having a bad time, by any means, I was grateful for the rescue. Barb was just in time to take us all to lunch at the Downtown Sub Shop in Menominee. On the way, we saw K and MP riding around in their truck, and they joined us for ice cream.

The kids have another “Aunt Mary,” their mother’s sister, so when we were driving back from lunch, Summer said, “There’s our ‘normal’ Aunt Mary’s house,” and Barb cracked up while I howled. “Normal?!” Poor kid just meant “as opposed to ‘Great Aunt Mary’.” Summer had endeared herself to me earlier by saying, “I hate not knowing things.” I really like smart kids. Four-year-old Sarina is smart too, but she’s still illiterate. I’m looking forward to being in their lives for a long time to come.

the flagpole of now

Pookie started feeling better when I stopped giving him the medicine. He still sits on my lap at the computer and watches the screen avidly as the colorful symbols of Alchemy pop up and move around. He still scratches my knees bloody trying to make himself comfortable. We’re taking it one day at a time, or I am. He’s just living.

He’s living, and I’m thinking. In fact, I’ve been thinking about thought. Many years ago, I heard an amazing talk by Krishnamurti in which he said that time, thought, and fear are all one thing. I noticed with Pookie that if I stay completely in the present with what’s actually happening, I don’t have all the anxiety associated with my projections into the future. He’s on my lap now, he’s purring now, he’s scratching my knees bloody now. Anything that I imagine might happen—or worse, believe will happen—is completely unreal, hypothetical. Several years ago, I spent months playing out in my mind the imminent death of my little black cat Radar, who had feline leukemia. As it happened, he died peacefully in his sleep, with his head butted up against a wall, and I had a friend visiting who helped me bury him, quite illegally, in front of my apartment building. I didn’t shed a tear. It was all just what it was.

So here’s how I picture time = thought = fear. We are sitting on a flagpole (whether it’s all the same flagpole or we each have our own is beyond the scope of this discussion). No, I’ll simplify and say I am sitting on a flagpole, which is the present moment, what is. If you think about it, there’s no flagpole “back there” (past) or “up ahead” (future), because it’s always now. I may think about “tomorrow,” but when “tomorrow” comes, it’s today. No way to get off that flagpole unless we’re sent into space and come back 200 years later while aging only 2 weeks on Earth. I don’t even want to get into that.

OK, so I’m sitting on the flagpole of now, and because of evolutionary developments in the brain, I can imagine things that aren’t real, i.e., aren’t happening now, on my flagpole. When we imagine those unreal things, we are extending our reach beyond the flagpole, forward and back, but those extensions are completely imaginary, a product of our brain capacity. Brain development, per se, is a fine thing, because it can be useful to have a memory (of the best season to plant crops, say) and to make reasonable predictions (if I plant corn now, I’ll have some in late summer). And yet, all that is pure speculation; everything that actually happens is happening now. Late summer may never come, capiche?

When we project these speculations into the “past” or the “future,” that is the nature of thought. We can think about what’s happening, but the thought is never the thing itself. Obviously, that’s also the nature of time, because projection in thought, by definition, is in time and not in the present moment.

Here’s the crucial bit, which is what I realized with Pookie. It’s impossible to have fear in the present. We think we do, but really, fear always comes before or after the fact. In the moment, whether it’s confronting a snake on the path or holding the poor cat while the vet “puts him to sleep,” there’s nothing but this flagpole, then this flagpole, then this flagpole (which are all one flagpole, you understand).

(I sure hope my flagpole analogy is holding up, because if not, you’re probably feeling really irritated right about now.)

So…. everything that our brains project (or “remember”) into the air in front of or behind our “flagpole” is the same thing: thought = time = fear.

QED, n’est-ce pas?

Pookie’s having up to three “seizures” a day now. Be in the moment for him, in whatever way feels right to you, would you?

[Mary McKenney]

mary‘zine random redux: #32 May 2005

July 10, 2009

I’m killing time while the installer from Drees Electric is here wrestling with my new dishwasher and garbage disposal. Plenty of butt crack on display, but I avert my eyes. For the first half hour he was here, I assembled one of my new steel “retro shell back” lawn chairs. It felt oddly companionable, the two of us grunting over our respective tasks. When he came back up from the basement at one point, I was sitting in the chair, and he laughed. “You finished your project!” I felt so butch.

I got up at 7:00 (having gone to bed at 3:30) to be sure I was ready when the installer came. There were lots of cars outside, and I saw that the people across the street were having a garage sale. Around here, garage (aka rummage) sales start at the crack of dawn and end before lunch. The woman who lived there died recently, and the house has already been sold. I’m waiting on pins and needles to see who’s going to move in. I’m officially an old fuddy-duddy now, hoping for quiet neighbors with no children… or motorcycles…. or beat-up cars…. or Kid Rock records…. well, I’ll just have to wait and see. [Update: I’ve spotted a baby and a young blonde woman, and neither of them looks like a Kid Rock fan.]

My official status as an old fuddy duddy was conferred on me by a young woman at Curry’s IGA the other day. She’s checking out my groceries and wants to know, “Are you a senior citizen?” “NO—NOT YET!” I exclaim, all flustered. Then I think for a few seconds. “How old do you have to be?” “55.” “Oh, OK then, I guess I am” (mumble mumble).” I didn’t even check to see how much being old had saved me.

Spring has almost sprung, and a senior citizen’s fancy turns to thoughts of… “Hmmm, I won’t be able to use the garage as a second refrigerator much longer.”

The ice in the bay has finally melted, the snow has long since receded, and the birds are flinging themselves to and fro, filling the sky with their rich cacophony. The grass is growing, but the trees are just barely budding. I’m looking forward to longer days, open windows, and the sweet, earthy smell of spring (if they still have that). I’ve often thought that people who proclaim their love for “the seasons” are just making lemonade out of ice-cold lemons. But of course now that I’m walking a mile in their moccasins, I can understand the sense of antici….

pation. The snow melts, the brown lawn looks forward to new green growth, and suddenly the future’s so bright I have to wear shades.
(I’ll have to be patient, though. My sister Barb informed me that it snowed on her birthday one year—May 16.)

Our mild winter was a piece o’ cake for me—except for the icing on the cake, if you get my drift. I ended up buying “snow chains” for my boots but lost one of them in a snow bank the first time I wore them.

One of the things I love about being here is having kids in my life—though they’re more of a delicacy than a main course since I moved out of Barb’s house. That didn’t come out right. I don’t get to see them as much, is what I mean. I do get to hear all the stories. One day 9-year-old Summer, 5-year-old Sarina, and 50-year-old Grandma Barb were playing “airplane.” As the self-appointed flight attendant, Sarina asks Barb what she wants to eat. Barb says, “Bacon and eggs.” So Sarina goes off and comes back moments later with her “bacon and eggs.” Then she asks Summer what she wants to eat. Summer starts to say, “Bacon….” and Sarina cuts her off: “We’re all out of bacon.” The kid’s a quirky genius, I tell you what.

I may have mentioned this before, but I love watching the birds and the squirrels. I don’t know why people expend so much time and effort to keep squirrels from eating. This morning one of my regulars, whom I’ll call Hurly, came running through the yard and spooked a flock of blackbirds, who lifted up en masse into the branches of the nearest tree. This freaked Hurly out, and he plastered himself against the tree with his back to it. It reminded me of that Far Side cartoon where the deer is standing upright behind a tree as a hunter prowls around in the background. The deer is thinking, “What have I ever done to this guy? Think, think!” Hurly stayed there until the coast was clear and then went about foraging for sunflower seeds. Then a garbage truck drove by, and Hurly scrambled to the top of a nearby utility pole. I worried he would fry himself on the high voltage wires, but he just clung to the pole like a squirrel chameleon. When I looked again, he was gone.

One day I saw Hurly (or Burly, I can’t tell them apart) scrounging for seeds under the bird feeder. Then I looked about 10 feet over and saw a chickadee trying to get at the peanuts in the squirrel feeder. Hmmm…. Isn’t nature supposed to be smarter than that?

Now I glance out the window and see a big ol’ robin in the bird bath…. fluttering this, fluttering that, stopping to take a sip of bathwater now and then. I expect it to start washing under its “arms” like a Disney cartoon bird. I change the water in my two bird baths every day—that’s just the kind of nature lover I am. I take an absurd pride in attracting a large, diverse population of birds—robins, red-wing blackbirds, chickadees, bright yellow finches, blue jays, woodpeckers, mourning doves, and some I can’t identify. I’m even mildly offended when some of them start grazing in the neighbors’ yards. What have they got that I haven’t got?

Just this morning, I saw that a robin is building a nest on my back porch. I’m excited to be a birdparent-to-be.

The gulls can be a pain. They swoop down on the garbage bags that get put out every Friday (we’re not allowed to use cans) and can cover a wide swath of road and yard with orange peels, coffee grounds, and fluttering store receipts and sandwich wrappings. I don’t get mad, I get Glad. (That gives me an idea. Product placement in the mary‘zine? Have your people call my people.)

On the first day of daylight saving time, I became aware that the din from outside was deafening—the raucous cries and sweet melodies of large and small birds filling the sky. So I went outside and sat in the sunny chill, my jacket wrapped around me, trying to remain still so that the birds who had been flying in and out of the yard would forget I was there. I imagined them gathering in a tree across the street to assess the situation. “Have you noticed that big thing over by the fence? Has it always been there? Have you seen it move? I could have sworn it did. Could it be one of those lifelike sculptures by what’s-his-name, the artist who makes those “people” sitting on park benches? Oh heck, let’s go for it. I’m starving.”

Naturally, Pookie loves watching the birds as much as I do. His motives may be less pure, but he’s harmless. The few times I’ve let him outside, he spends most of his time under the back porch, sniffing the dirt for God knows what. And of course the birds, having the advantage of flight, make themselves scarce until we go back in the house.

Pookie seems to like his new home, but it’s hard to tell. He has the advantage of long-term, short-term, and middle-term memory loss so is not demonstrably grateful for having a permanent, spacious home after last summer’s uprootedness and cramped quarters. He has his own mysterious routines. He’ll be sleeping in the little sitting room downstairs when I come down to the kitchen to make something to eat. Within a minute or two, without fail, I’ll hear the click-click of his toenails as he plods across the kitchen floor toward the stairs, not even turning his head to look at me. Hi, Pookie! Bye, Pookie! The only time he seeks me out is after he’s done his toi-o-lette. If I’m sitting at my desk, he’ll come to me and insist on being picked up. If I ignore him, he’ll try to climb the desk chair, and the poignant urgency in his big green eyes makes him impossible to refuse. Unfortunately, his recent activities are evident in his wet nose, water dripping off his chin, stray bits of cat food in his whiskers, and some suspicious moistness down below. I haul him up onto my lap and try to continue working (or playing) while he proceeds to groom himself and either fall fast asleep, numbing my legs under his considerable weight, or toss and turn and dig his claws into my thighs, and gaze up at me accusingly, as if I should know what’s bothering him. At some unknown signal, he starts hoisting himself up for real and I know it’s time to put him down on the floor. I try to remember to say, “Want to get down?” rather than “Want me to put you down?” because you never know what they can understand.

Being as how I’m getting up there in age and might not be able to climb the stairs at some point, my sisters have pointed out that the staircase is wide enough that I could have a lift installed, like the one Tony Soprano’s mother creaked up and down on. Pookie is no spring chicken either, so I’m envisioning a smaller lift for him opposite mine. Then, when he hears me get in my lift and start moving down, he can hop into his lift and go up, ignoring me completely as we pass each other in our respective quasi-invalid apparati.

Speaking of getting old (do old people speak of anything else?), Barb and K and I reference the following joke often.

Three elderly sisters live together. One sister goes upstairs to draw herself a bath but calls down to say she doesn’t remember if she was getting into the tub or out of it. The second sister starts up to help her but realizes halfway up the stairs that she doesn’t remember if she was going up or coming down. The third sister scoffs at both of them. “I hope my memory never gets that bad,” she says, knocking on wood. “I’ll be right up as soon as I see who’s at the door.”

So when any of us has a “senior moment” (even though I’m the only one who gets money off for being old), we’ll say, “I have to see who’s at the door.”

I first heard that joke after Skip’s funeral when several of his old-guy relatives were sitting around Barb’s kitchen table. One of the guys was telling the joke, but I wasn’t paying attention—I was making myself a ham sandwich. (Food always trumps conversation.) When he got to the part where the third sister knocks on wood, he rapped sharply on the table. Hearing that, I went to the door to see who was there. I couldn’t understand why everyone howled at that. Life imitates art, I tell you what.

peaceable kingdom

So it’s been eight months since I moved back to my hometown, and almost exactly a year since P and I (and Pookie) set out from San Rafael to start this grand adventure. I have written about the wonderful discoveries, the synchronicities, the house falling into my lap in the nick of time, the three road trips, the settling in, the beauty of this very different but familiar landscape, the ritual eating of fried fish with my peeps every Friday, and the sense of being home in all possible meanings of the word. (However, I must get the obligatory food criticism off my chest. Dear Midwesterners: mixing macaroni with mayo, cheese, and bacon—even if you add broccoli and call it “broccoli salad”—IS NOT SALAD.) Now I sense that the next phase is beginning, and I don’t mean the birds and the green buds of spring. In some ways, the initial thrill—the delirious speculation about what this big change is going to mean—is gone. You just can’t sustain the sense of novelty, the inevitable illusion that your new life will be so different and so wonderful that you will become, basically, a different person. The illusion that a change of place equals a change of self is common, I suppose—all those Westward ho! pioneers, those back-to-the-land hippies, those frozen retirees relocating to Florida or Arizona…. Same for getting a new job, a new partner. Starting over—it’s the American illusion, I mean dream.

But illusion is a paper ship on a very deep ocean. When “the thrill is gone,” we think we’ve failed. Miscalculated. Been tricked. “That person I was so in love with has changed!” “I’m having the same problems here as I did back there!” We don’t have much social support for seeing what lies beyond the illusion of a new beginning. My favorite image of this is the women’s magazines’ fantasy of the housewife greeting her husband at the door naked, wrapped in Saran Wrap, hoping to put some spice back in their marriage. As if novelty—a continual rekindling of the illusion phase—is the only way to renew: a paper ship in a wading pool. But I think it’s not an accident that relationships begin with that honeymoon attraction that seems all-pervasive yet is only the barely scratched surface of real connection. Illusion is a way to get us moving in a direction we might otherwise not attempt. And once we’re at our destination—that ill-thought-out, happily-ever-after “ending”—that’s when the new seeds and weeds start to sprout.

Much of this insight is due to a dream work session I had by phone with Jeremy Taylor,  a teacher, counselor, and minister whose brilliance is surpassed only by his compassion. Two of the three dreams I told him had the theme of my being aware of something behind me that I wasn’t quite able to see. (Something unconscious this way comes.) In one of these dreams,

I’m sitting on a roof with my legs hanging over the side. Higher up on the roof lies a placid-looking tiger who looks like he stepped right out of one of Edward Hicks’s “The Peaceable Kingdom” paintings. But then I become aware that another tiger has come up behind me and is so close he could touch the back of my neck. I fear I will be eaten, or thrown over the side. But he doesn’t touch me.

To Jeremy, these images signify a new phase to come. He’s been right so many times in the past  that I have to believe there’s something to it. I don’t know what the new challenges, the next phase, will be about, but it seems unlikely that the ramifications of moving back to the place of my difficult childhood would be limited to the surface pleasures of carefree adulthood: the fish fry? the nice park? birds and squirrels in my yard?

I had another “can’t quite see what’s behind” dream the other night.

I’m in a painting class, and I have to keep asking the teacher (a man) to come look at my painting. Finally, he does, and he seems to approve. But he leaves before I can turn the painting over and show him the painting I did on the other side. I keep asking and asking, getting more and more depressed, but I wake up before he comes back.

I’m intrigued by all these dream-teases. I’m enjoying my peaceable kingdom—more about that later—but I’m curious to see what’s next.

fantasia

What I’m trying to convey here is not that I’m dis-illusioned, or that “the honeymoon is over boo-hoo,” or that I’m sitting here with family but no friends wondering, “What was I thinking?” I’m trying to explore the fault line between imagining the future and then arriving there. Tomorrow inevitably feels different from today. Tomorrow = I’m going to paint a mural on the walls and ceilings of my attic “cave.” Today = I think I’ll play another game of Alchemy. I’m trying to be honest about the sometime mix of blessings in any new venture.

Recently I received an e-mail from A, an old painting (and dancing) friend. She had enjoyed the tale of my move and shared her own synchronistic trail that had taken her to Paris, where she now lives for a third of the year, does some teaching, and has lots of friends. She went on to say that her son graduated with a master’s degree in literature from Stanford and is in a touring rock band. Suddenly, my little adventure seemed tame indeed. I wrote her back, “…man oh man, you really put my little U.P. life to shame. Paris! A literate son in a rock band! I know we each have our own path, but STILL…”

For a brief moment it felt so unfair. Why does she get Paris, and I get a little town no one’s ever heard of? Well, I wouldn’t actually be suited to her life, and that’s the point, n’est-ce pas? But it was disconcerting to have that moment of raw envy, as if what’s right for me isn’t good enough if I spot something more alluring over there. But that’s illusion again, a siren song trying to distract me from the real. A few people have written to say how happy they are for me—and I believe them—but the word “envy” does come up sometimes. “I’m slightly envious of your relationship with your family,” etc. But wishing for someone else’s good fortune is meaningless. If only I were a people person! And could speak French! And liked to travel! It’s a good reminder to see that fantasizing about someone else’s life—based on assumptions and wishful thinking—is different from actually living that life—as is fantasizing about your own. But at least with your own, you’re proceeding on your own path, clearing the brush in real time. “I can see clearly now, the rain is gone; I can see obstacles in my way….”

By moving here I escaped from certain aspects of my life in the Bay Area—the crime and noise in my neighborhood, most notably—just as I escaped from Menominee a long time ago. And now here I am again. Which is the frying pan, and which is the fire? So far, being here is more like being in the top half of a double boiler… warmly melting into chocolate. Mmmmm….. chocolate. Once again, I’ll just have to wait and see.

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When I was staying with Barb last summer, I marveled at my heretofore unknown adaptability. I actually liked people dropping by and kids poking me with questions. I liked the sense of being ready for anything—working on a dining room table amid layers of clutter, with a TV on in the background… sleeping in a room without a door… not able to cook and barely able to find space to make a sandwich in a kitchen in which every surface, including much of the floor, was piled high with stuff—some in transit, some seemingly in permanent residence. In certain respects, my sisters and I are sharply divided between the “Larsen side” and the “McKenney side.” Barb and I resemble each other in looks, but K looks more like our McKenney aunts. And Barb and I do not have the gene that would cause us discomfort if we noticed that the juice box and half-eaten cookie that one of the kids left on the fireplace ledge three days ago was still there.

Conversely, sister K, as a teenager, vacuumed out the coal bin in the basement with Mom’s good vacuum cleaner. Neat freak from day 1. I’m just sayin’.

One day Barb asked her son Brian to haul away an old recliner, because she had bought a new one. He moved it out to the kitchen and said he’d take it to the dump “this weekend” (it was Monday). The recliner sat there in the dead center of the kitchen floor for the rest of the week, and we not only lived around it, we made it into an “art space”: One day I propped a frog planter (a planter in the shape of a frog, not a planter in which to plant frogs) in the chair, put sunglasses on it, and stuck a small American flag in the crook of its elbow. Barb picked up on the game immediately, and we had fun with it all week. One night before we went out, I noticed a full bottle of Zima in the hands of the frog, and I duly chuckled as I went out the door. When we got back, the bottle was empty. (Barb had switched them at the last minute, ho ho.) When Brian saw this strange tableau, he said simply, “I don’t get it.” But here’s what’s strange. Brian took the chair away on Saturday, and when Barb and I got home that night, we walked in the back door right into the kitchen, put our bags and purses down, and didn’t notice that the chair was gone. Being oblivious to one’s surroundings has its advantages.

Anyway…. while I was thinking that I had changed, because I enjoyed the people interruptions and was able to handle the household chaos, it really only meant that I had learned to cope and adapt—which is no small thing, but not the same as “Now I want people around me all the time so I can go with the freakin’ flow.” So when the movers arrived from California and I was able to physically move into my house, it was as if I was letting out a breath I’d been holding for months. I had done it. I was here. My life was my own. And when Barb called a couple days later, waking me up from a nap and wondering if she should come over right after school so we could go out for an early supper, I snapped. Like a twig. NOW THAT I HAVE MY OWN SPACE I NEED TO BE ALONE FOR A WHILE, I announced. I was probably as shocked as she was at this sudden reversal. I had been keeping it together, and I was now in a state of collapse—mental and physical exhaustion. In addition to unpacking and getting my rooms arranged and making to-do lists as long as my arm, I had to reorient myself, mentally incorporate the rest of my being into this new situation. All last summer I had been visiting—on a vacation doubling as a fact-finding tour, a trial living situation. At Barb’s I had been a guest. I did my best to fit into her schedule, but it wasn’t my schedule. I had brought part of my life with me, but most of it was still back in the Bay Area. I was dealing. It wasn’t real.

When I was finally here, safe within my own four (×10) walls, I could no longer be a houseguest in Barb’s life. I had to start erecting movable fences, establishing boundaries. Call before you come over! No, don’t call, I could be napping! Clearly, I’m not the only one who has had to adjust. Barb is a people person. I, on the other hand, can barely deal with one snooty cat. We’re working it out…. but there’s more….

on the fault line

Jerry Falwell is in the hospital. His condition has been upgraded from “critical” to “judgmental.”
—joke heard on the radio

Barb and I are apples that fell off the same tree, and not very far from it. Mom could be both tactlessly critical and punishingly silent. Unsurprisingly, some of that has rubbed off on us. The main difference is that I can talk to Barb about it and get a considered response from her rather than anger or the silent treatment.  (In therapy a few years ago, I was pissed at J one day and wouldn’t talk about it. I started to leave without saying good-bye—that would show her! J said, “Why don’t you just be angry at me? It would be less hurtful.” I replied, “This is anger where I come from.” I have to commend J for sticking by me through 12 years of that kind of thing.)

When I first moved here, I announced that I would try to refrain from correcting anyone’s English. (I like to think of myself as hugely tolerant. Where I got that idea, I don’t know.) But of course I couldn’t stick with my good intentions. I’m shocked by some of the accepted usage around here: “Me and my girlfriend went shopping.” “Him and her don’t get along.” “Do youse know what you want to order?” So, yes, I admit it…. I’ve been known to offer an alternative pronunciation or word choice now and then. I always think that the valuable information I’m imparting makes up for any temporary offense I might cause. Yeah, right. My sad excuse is that I’m critical for a living. (I’m judgmental on my own time.)

For her part, Barb does not always notice that she’s treating her perfectly capable adult sisters like the 7th graders she has to deal with all day long. With her teacher voice and sense of God-given authority, she’s a force to be reckoned with. She takes me to Menard’s in her truck to buy a ladder, because it won’t fit in the Jeep. As I haul the ladder first through the parking lot and later into my garage, she can’t resist telling me, oh, four or five times, the right way to carry it. As with her students, she thinks she has to keep repeating an instruction until the person “gets it right.” And like me, she doesn’t always question whether her help is needed or appreciated.

K, on the other hand, is so afraid of hurting anyone’s feelings that she tries to keep the peace at all costs. Here’s a trivial example. We all keep each other’s favorite soft drinks on hand. It’s almost ritualistic. You walk into someone’s house, and the first order of business is, “Want something to drink?” For years, Barb thought that K liked Dr. Pepper, but I found out that she preferred Coke. She had never said anything to Barb because Barb never had Coke in the house. But Barb was specifically buying Dr. Pepper because that’s what K would drink when she was over there. It’s a little bit like “Gift of the Magi,” don’t you think? OK, not so much. But K is such a sweetheart that it’s hard to know what’s really going on with her. With Barb and me, our faces tell the story even if our words don’t.

We all enjoy telling our respective horror stories about Mom’s insensitivity, but it’s harder to see what we ourselves have internalized or are reacting to. The good news is that we have an opportunity to become more emotionally real with each other—to the extent that we each want to, of course—a lesson Mom was not able to teach us.

in the mix

While anticipating the unknown future hinted at in my dreams, I’m enjoying the heck out of my peaceable kingdom, my old people’s neighborhood, my huge house (just right for one person and her catty companion), the physical safety I’ve never felt in a sustained way before, the leisure of being semi-retired (I work when work is sent to me, but I no longer go looking for it), the long quiet nights when I read, play Alchemy on the computer, listen to “Loveline” from a radio station in Seattle, or pull matted clumps of hair out of Pookie’s back. But when the spirit moves, I can also bust out the jams in my jammies… turn up the speakers and dance to the delirious, pounding music of the Chemical Brothers at 2:30 a.m. in my blue-and-green-lit loft.

Now that I can afford high-speed Internet, a monthly subscription to audible.com, and 99 cent songs from iTunes, I am hugely enjoying my media palace. I am tuned in and turned on to a degree I never knew before. I’ve discovered whole genres of music—some with no label other than “alternative” (to what?)—more than 400 songs on my laptop and easy transfer of music and books to an iPod shuffle or an Otis media player. I started building my electronic library with favorite artists from my college days—Aretha Franklin, Marvin Gaye, Four Tops, Bob Dylan, Miles Davis, Mimi and Richard Farina, Tim Hardin)—the familiar and comforting tunes of my youth. But then I branched out musically in all directions, thanks to iTunes, Salon.com (free downloads), KCRW (musically eclectic public radio station in Santa Monica—I’m now supporting three public radio stations: two in California, one in Wisconsin) and other sources, and now I have a musical accompaniment to any mood. I’ve discovered Thievery Corporation, Bloc Party, French Kicks, Gang Gang Dance, Supreme Beings of Leisure (hey, that’s me!), Ted Leo and the Pharmacists, and Shivaree, to name but a few.

Somehow I got turned on to dancerecords.com and discovered endless subgenres of dance music: Deep, House, Sexy, Funky, Chunky, Jazzy, Techy, Tech, Techno, Tribal, Tech Step, Hard Step, Deep Tech, Neuro Funky, Deep House, Acid House, Chunky House, Funky House, Chunky Tribal, Tribal Techno, Tribal Tech House, Funky Deep House, Electro House, [inhale!] Electro Tech House, Progressive, Progressive House, Progressive Tech House, Progressive Breaks, Techy Progressive House, Deep Ethereal Progressive, Deep Progressive Trance, Peak Hour Progressive House, Rockin’ Teck-Step, Hardsteppin’ Bounce, Smoothed-Out Teck-Steppin’ Funk, Funky Peak Hour Beats, and the ever-popular Liquidly Funkin’ Drum & Bass Beats.

I swear I did not make any of those names up.

I had heard a song (oh excuse me, a track) by “DJ T” (remix by “Random Factor”) (I have no idea who these people are, assuming they are people) that I liked. I didn’t realize until after I’d ordered the “album” that I didn’t know exactly what I was getting—CD? LP? MP3? ABC? 1-2-3? you and me? I had become accustomed to downloading—acquiring substance/essence without the bother of storing a physical object. But what arrived was a record in a plain black cover sleeve. Then I realized, oh yeah—that deep chunky funky stuff is played in clubs by hip-hop DJs. Here I was, a civilian—and a “senior” one at that—buying the beats beloved of large crowds of stoned-out youth. I liked the thought of the Bay Area hipsters at dancerecords.com seeing the address on my order and speculating, “D’ya suppose there’s a happening turntablist scene in—what’s the name of that place?—Menominee?”

I suppose “senior citizens” through the ages have resented the assumptions made about them by the young-who-believe-it-will-never-happen-to-them. But it seems worse now, since my generation is the first to have the luxury of indulging our youthful interests far into our dotage. Many of us, of course, are still getting stoned and listening to Crosby Stills Nash Young and Increasingly Decrepit. But I got tired of the ‘60s music scene decades ago and prefer the punk and new wave of the early ‘80s and, more recently, electronica, hip-hop, and “alternative” (Iron and Wine, Milosh, Nick Drake, the whole “Garden State” soundtrack—good movie, by the way).

One of the sad things for me about leaving the Bay Area was losing the ability to listen to the Saturday night marathon on Live105 known as Subsonic—all electronic and hip-hop and mash-ups and remixes until 4 a.m. One Saturday night before I left, I called the Subsonic DJ to find out the name of a song I had just heard (“Callin’ Out” by Lyrics Born). Impulsively—feeling all girlish and shy—I told him that I loved the show. On further, ill-considered impulse, I told him I was 57. His reaction was predictably condescending. “Oh, so you’re one of those ‘rockin’ grandmas’!” Uh, well, I suppose—I’ve never reproduced, but yes I am of that older generation. But “rockin’ grandma”? Is it possible for me to feel any less like a rockin’ grandma? Subsonic’s producer, another child, was also on the line, and he pipes up, “We don’t care who listens!” Then the DJ says, “I hope I still dig new music when I’m 57!” (thinking to himself, “I’ll never get out of my 20s alive”).

And yet, how can I be offended when I was known, back in the day, to utter the cliché, “Don’t trust anyone over 30”? It’s laughable now (my godchild is 30), but I understand the impulse to reject the old folks, the so-not-with-it, the irrelevant—move along to your ice floe, gram and gramps, it’s our turn now, we scoff at your moldy oldies, we resent your great booming numbers while we’re stuck with single-letter generational names… X, Y… Z? and then what? the alphabet and the world both come to an end?

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Part of what you do in the illusion phase of a life change is to think that every little thing that happens is significant. Because the events leading to my move had been so dramatic while seeming precariously coincidental, I started expecting that every ripple from a stone thrown in my little pond was going to lead to something big. Sometimes the stone just plops down, no discernable ripples at all.

I’ll give you a few examples. One night last fall, after the peeps’ weekly fish fry, I stopped at Angeli’s on the way home to pick up some groceries. I was wearing my Cody’s Bookstore (Berkeley) t-shirt. As I was leaving, a man came up to me and said, “If you’ve been to that bookstore, what are you doing here?” So I explained that I had recently moved back from the Bay Area, and we stood in the parking lot and talked for several minutes—of course I had to ask what he was doing here, too. Turns out he’s a playwright and theatre director at the UW-Marinette campus. He had interviewed at Sonoma State but eventually wound up here. It was from his time at Sonoma State that he “recognized” me (i.e., my type) from the “t-shirt and the haircut” (code for Big Dyke).

I asked him where the nearest bookstore was, and he said, “Madison.” I thought he was joking—Madison is 150 miles away—but apparently not. He said he had gone to an estate sale just that morning that had an unusually large collection of books. He told me where it was, we said good night, and that was that.

The next morning I went over to the estate sale and there were indeed lots of books. I called Barb and she came over, too. We started talking to the two sisters who were clearing out their father’s house after his death. One was a lawyer and the other was a psychiatrist. I said to the shrink, “Oh, I’m looking for a psychiatrist who specializes in psychopharmacological management [to prescribe my Zoloft].” She says, “That’s what I do!” Perfect! She gave me her card, which announced that the focus of her practice was on women and children. Was this synchronicity or what? The only problem was that she was based in Racine, which is even farther than Madison. But she said she was thinking about coming up to Marinette to see patients a couple days a week. The four of us chatted away, all mutually intrigued by each other’s professions and getting along famously.

I bought an armload of books, Barb bought an armload of books plus some chests of drawers, and the lawyer promised to have another grouping of books ready for next week’s sale; she said she would save any old Hardy Boys’ books she found for me. The following Saturday we showed up for the second installment of the estate sale. The lawyer met us at the door and said they hadn’t had a chance to get the books sorted. Barb picked up the chests she had bought, and the lawyer promised to call one of us when they were ready to sell more things. We never heard from her. I tried to find the psychiatrist in Racine, but she had moved from the address on her business card.

It’s not as if we had been deliberately misled. Things happen. These were ordinary interactions, pumped up by my insistence on thinking “everything happens for a reason.” Those linked episodes with the playwright, the lawyer, and the psychiatrist (they sound like characters in a play by Sartre—or a joke about 3 people walking into a bar) were apparently self-contained, a pool of possibilities that, for whatever reason, never turned into a stream or a rippling pond. (I have since found a psychiatrist—in Oshkosh, 100 miles away. Fortunately, I like him.)

Similarly, my supposed burgeoning friendships with the bank manager and the city tax assessor—both smart, engaging women—never came to pass. The tax assessor never called me back after I contacted her a couple times, even going to the extent of sending her the issue of the ‘zine that included my story of meeting her. I’ve noticed that people can get really weird about what’s said about them in print, so maybe it was horribly inappropriate of me to identify her by name blah blah blah.

I did have lunch with the bank manager, but it was soon obvious that we weren’t on the same page, friendshipwise, despite having had some interesting conversations and lots of laughs in her office. It seemed more like a customer service gesture on her part—the bank paid for lunch. (Yes, that would be the first clue.) I gave her a copy of that same ‘zine. When I asked her later what she thought, she said my writing was “interesting.” End of story. So what did I expect? I expect the universe to present its sunny face to me at all times, why do you ask?

Years ago, when I had chronic back pain after my mother died, I found a wonderful chiropractor/healer and, through her, my therapist J, after a series of “coincidences”—recommendations acted upon or not, scheduled and canceled appointments, and a frosty-sounding psychologist who was too busy to see me. Looking back, it all seems “meant to be.” That’s fine for looking back, but I always want to know, what do I do now? Life’s combination of “lack of ultimate control” and “necessity to act despite that fact” is frustrating, if not downright diabolical.

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Here I am, already over my usual page limit, and I haven’t described the most jarring note in my hometown hit parade. Read on.

Back in the #15 issue of the mary’zine, I wrote about desire, illusion, intimacy, and passion. One of my examples of illusion was BA, a friend from 5th grade through junior high. She never went to college, never got married, doesn’t even drive. She’s not the brightest bulb in the chandelier. The only time I’d seen her as an adult was at my mother’s wake, when I wondered why she hovered around me way past the usual two-minute paying of respects. To me, we had grown apart even before high school. So why did she keep bugging my sisters to get me to come home for high school and grade school reunions? After one of the reunions, she sent me pictures of the aging ex-fifth graders and our fossilized teacher in a greeting card with a teabag enclosed, saying she “missed” me. I never responded. Besides feeling no personal attraction to her, I saw her as the embodiment of everything I had left town to escape. I’ve always been afraid of getting sucked back into poverty, as if my pretence of middle-class living would turn out to be a temporary reprieve and I would wake up like a Cinderella who’s only dreamed she went to the ball. So BA was kind of my doppelganger—the alter ego of my underprivileged, small-town self, my “there but for the grace of God went I” if I hadn’t gotten scholarships to college.

BA was much on my mind as I made plans to move back here. This town wasn’t going to be big enough for the both of us! It’s relatively easy to reject a would-be suitor, but how do you tell someone you don’t want to be their friend? I had hoped to escape detection for as long as possible, but before I even got here, BA had heard about my move from my aunt, who works with K. BA tried to confirm the rumor by calling up my bro-in-law MP: “I heard Mary’s moving back here, is that true?” “News to me,” says MP with a straight face. Then one day K runs smack into her at Angeli’s supermarket, and BA again asks if the news is true—K admits it is—and in that case, “Where is she living?” My loyal-to-the-end sister says, “I’m afraid I can’t tell you that.” She explains that I’m “lying low,” am “kind of a hermit.” BA acknowledges that “after all those years in California, it’s understandable”—whatever that means.

So time goes by, and the new phone book comes out but too soon to have my name and number in it. Then the inevitable happens. I walk into Stephenson’s Bakery (which shares a small building with the Michigan DMV; there are lots of odd pairings like that around here), and there she is, talking to the counter person. As Barbara Havers—a working class detective in Elizabeth George’s novels—would say, “Sod bloody all on a toasted tea cake.”

As she turns to see who came in, I have that panicky moment of thinking it’s not too late to turn around and run out. Instead, I say, “B—?” “Yeah.” “Mary.” She is flabbergasted and thrilled. We sit down at a table to talk because I can’t bring myself to make an excuse to leave. She comments that I “don’t look that different” except for “putting on a few pounds.” (Thanks! I hadn’t noticed!) She speculates that I must live nearby. She’s still trying to ferret out my home base. I finally tell her, “I live out on M-35”—which, believe me, covers a lot of territory.

Then she launches the boat of conversation into Lake Memory. She reminds me that I was editor of the school paper in 5th grade. She still has a copy; do I want to see it? (Part of me is sorely tempted. Is this how Jesus felt with Satan in the wilderness?) BA rattles off several other facts, events, and conversations. But I don’t remember even one of the memories she is excitedly recounting. It’s truly a lesson in “eye of the beholder.” To me, she was a minor player in my life from ages 10 to 13 or so. To her, I was apparently some kind of touchstone. She keeps saying, “I’m just glad to know you’re really real!” In our dream work session, Jeremy suggested that she’s a lesbian who has been in love with me since the 5th grade. [insert “Jaws” music here] She clearly thinks synchronicity is working for her in this situation—that I’ve come back into her life for a reason.

After our excursion through the lake of stagnant memories, I offer her a ride home. Why? I don’t know. I think I’m a little intrigued in spite of myself. The old asphalt-shingled, hardly-any-windowed house she rents the bottom of looks like a contemporary of the shack of a house she lived in with her family across from the grade school. I think about my big, beautiful house by the water and the park. Damn, why do I feel so guilty?

She rattles on about how the house used to belong to a classmate who was a football star. Two other classmates I would never think of as an item—one of them is distantly related to me—live down the street. My aunt—who, in one of life’s little ironies, gave me the brushoff when I asked for her e-mail address—lives right around the corner. As BA gets out of the Jeep, I tell her I’ll call her sometime. It feels like a mistake as soon as I say the words. But what else could I say: “Have a nice life”? (Am I being the architect of my own downfall here?)

I know I’m not responsible for BA’s being born into an extremely poor family, without the resources (or the smarts or the will) to go to college or to make friends easily. Back in junior high, I clung to any other girl who was willing to hang out with me. She did too. And then I went and changed, moved on, found people to love and be loved by, and situations where I could thrive. And yet—if my high school English teacher Ruth ever moved back here, I would be delirious with hope and expectation. I don’t like to think about that. I’m different. I’ve seen the world. I don’t have to cling to childhood relationships. Do I?

A few days later, BA is walking by the middle school and sees Barb coming out. She yells to Barb to wait up and then tells her about seeing me. Here’s her assessment of our little chat in the bakery: “I think she’s lost and is searching for her childhood.”

Huh??

Barb reminds her that I have my own business and that I edit scientific manuscripts from all over the world.

BA says, “Yeah, she mentioned that.”

Then she tells Barb I gave her a ride home: “I’m not from California—I don’t care who sees where I live.” She adds, hopefully: “She said she’d call.”

So what now? I’ll just have to wait and see what’s on the other side of my painting, what the tiger at my back has in mind, and whether BA—strange link between my then and my now—is successful at finding me and either convinces me to attend the next school reunion or murders me in my bed. Life is a mystery.

Au revoir.

[Mary McKenney]

mary’zine random redux: #26 January 2003

June 28, 2009

I’m like a book. I want to be read.
—D. Dworkin

merry lu’s holidaze

Dear friends and home-ies, I want you to know me,
my Christmas, December, intensive (remember?),
my old friends and new, and relatives too,
but all of it’s swirlin’, I ain’t no Merlin
magician gone fishin’,
can’t tie it all neatly in parables sweetly,
so forget the flappin’, hold off on the rappin’,
I’m about to stop rhymin’ and see what’s been happenin’….

I feel like I did when I saw my therapist, J, a few days after the 7-day painting intensive. There was so much to tell her that I veered between fast-talking the details and throwing out a few insights like a lifeline to a drowning man, but the only one drowning was me. She thought I was in the middle of something, and I thought I had already gone through it, even though I couldn’t say exactly what “it” was. We almost didn’t make it, she was trying her hardest but I was way out there,
past her lifeline and mine, or maybe the drowner was throwing the line
to the one on shore and wondering what she was waiting for.

The rhythm is still with me, can’t stop it or drop it,
so please bear with me while I make the transition,
I’m rockin’ my chair but can’t get transmission,
I wish I could mind-meld, directly deposit
the thoughts in my closet, but I guess that’s what language is for,
to awkwardly say what no man has said before…

***
I’m still straddling two worlds, like a tale of two cities, or make that one suburb and a remote small town, which in its own way is also the center of everything. What is remote to one is birth, life, and death to another—so there’s really no such thing as remote, or even “other,” just gazillions of centers all dancing on the head of a pin with how many angels.

My sister K has read all the ‘zines now and passed them on to hubby MP. After reading “Lost weekday” (#11), about going to the dentist and pukin’ and peein’ myself (her favorite story, go figure), she and Barb and I got to bond in a sisterly way over our shared peed adventures. Barb writes:

K said she feels our lives are pretty mundane but you probably enjoy knowing that we pee our pants too, and you are normal in that respect.

I love that my main claim to being normal is that I pee my pants.

MP is reported to have “mixed feelings” about the ‘zine (he was shocked, shocked by what I was into when Mom was trying to get me to drink coffee), but he keeps reading, so way to go, bro!

Later, Barb reported that, after reading them all,

MP said to tell you, you don’t need a psychiatrist because you have us. Then again maybe you do because you DO have us.

Everybody’s a comedian.

***
My Christmas was very different this year. Usually I bah-humbug my way through December and then, on Christmas Eve, literally at the 11th hour, I get suddenly sentimental, turn on the choral carols on the radio, and wish I had done more for my fellow human. This year I got started early by sending a check to Barb to buy presents for my little nieces and nephews. Only problem is, I forgot about the ones I haven’t met yet, so it’s eight not four little ones, but B stretched the check to cover them all. P&C, my usual Xmas cohorts, were out of town for the holiday, so it was a vicarious Christmas chez Maree and Pookee. Late Xmas Eve, I got an e from Barb, who described in great detail the planning, the giving, the receiving, the smiles, the surprises, the love, the love. About the little ones:

I made sure the kids knew which presents were from their Great Aunt Mary and it was repeated several times with Wyatt saying “This is the Aunt Mary I haven’t met yet,” and Summer triumphantly announcing, “I have.” … You were even talked about when they were sitting in the kitchen eating their lunch after all the present opening was done.

It’s weird knowing these people, having them know me, as if I’ve gotten remarried and started a new family, except the new family is pretty much the old family with a few deletions and several add-ons. P thinks I’m “in love with the idea” of having reestablished the connection with my UPeeps; sure, I do love the idea, but that doesn’t mean it’s not real. I always knew the connection was there, it was just a matter of the planets getting realigned or something. It’s not about “going back” in any sense, back in space or time, it’s about being right where I am and letting the treasure that’s been there all along reveal itself. (I hope I didn’t use that exact same sentence last time, but if I did, c’est la vie, déjà vu, tant pis, pommes frites, oo la la.)

It’s no surprise to me that my sisters are generous and funny. It’s just that I was trying to put my own jigsaw puzzle together over here, not realizing that my pieces were part of the mixture, fitting neatly into the bigger picture created by my family, my friends and neighbors, my town, state, and country, my world, my universe. I’m only one center, just a renter who thinks she’s an owner, we’re all on loan here, but it’s still all mine and all theirs and theirs, multiplied multiple times… but finally I get it, the dimensions are infinite, the holographic whole is at once a goal and a done deal, nothing to reveal, just return to the One from which we all sprung, our ashes to AshLand or dust to rust. Doesn’t mean I have an answer to take to the bank or save me from cancer, no book deal or contract or stardom or fame, just me and my name, my rhymin’ so lame, the ‘zine, the queen-of-the-table game, it’s all the same. Wave or particle don’t really matter, we’re neither here nor there but everywhere. No doubt. Love in, love out.

***
This Christmas I went on a tipping spree. That’s dollars, not cows, for you Wisconsinites. I figure that rewarding the working people will have a ripple effect. Jon Carroll has an annual column in the Chronicle about his own invention, the Untied Way. It’s “untied” because it’s random. You take as much money as you can spare out of your bank account and give $20 bills out to the first however many people ask for money on the street. This is fine. I’ve had some good encounters on the street myself, when I gave willingly and not out of fear or guilt. A couple months ago, I came across a guy selling the Street Sheet in downtown S.F. He was sitting in the doorway of the (closed) restaurant I had wanted to eat lunch in. He was polite and cheerful, and when I passed him two or three times over the next half hour, we greeted each other and he told me about Lori’s Diner up the street, where I ended up having lunch. I had given him a dollar on our first encounter, but he was exuding such good cheer that after lunch I went back and gave him $10 “for the next 10 people who don’t give you anything.” He was inordinately pleased, considering it wasn’t exactly a fortune. But it felt to me like a true exchange, as if we were rewriting the equation of desperate beggar + reluctant passerby = resentment all around. This was more like real person + real person = humanity.

But at Christmas I refocused my efforts and gave extra (or first-time) tips to the person who delivers my Sunday Times, my pleasant and conscientious mailman, a couple of waiters and valet parkers, my new haircutter, and even my favorite grocery store clerk (Nanette at United Market—tell her Mary sent you). The wind might get taken out of my sails when I have my taxes done and realize I’ve been thinking of all the money in my bank account as mine, when a large portion of my income this year didn’t have withholding taken out. But I still like the principle. It’s only a few dollars extra to me, but it’s meaningful to them, in both tangible and intangible ways. If a smile can send someone on her or his way with a lighter step, think what $20 can do.

***
The first song I heard when I turned on the radio on Christmas morn was by the Flaming Lips:

Do you realize… that everyone you know someday will die?
Do you realize… that we’re floating in space?
Do you realize… the sun doesn’t go down, it’s just an illusion caused by the world spinning ‘round?

I’d have to say Yes, Yes, and Yes, but it’s good to be reminded. The next song was some cock-schlock by a band called, with eerie accuracy, Disturbed. I switched to Alice and then to KALW, but they were all choral and Crosby, so I had to disrespect the Bing and settle for a silent morning. Decided to compose my own soundtrack on the Mac: ‘Zine attack!

December was especially notable for all the human contact. I was with people for, like, 10 days straight! I handled it pretty well, but I did have to bail on a brunch in Tiburon because I was starting to come unglued. Terry and Jean were here from Massachusetts, and they had to cancel their trip up the coast because of the rain, so we got to spend more time together. It was fun, fun, fun till Daddy took the T bird away (and the J bird). Besides the daily lunches during the intensive, we dined with Diane L. and Diane D. at Garibaldi’s in the city, and T, J, and I had our farewell dinner at the Buckeye in Mill Valley, where I take all my painting lovelies. I wore my blue hair for the occasion, praying it wouldn’t rain—blue rivulets running down my face, not the look I’m going for. We had a sweet-sorrow good-bye, but it’s so much better to be sorry to see someone go than to be relieved you’ve got your blessed solitude back.

***
Next fall, P&C will retire early, move to Oregon, and spend their declining years reclining in a house they bought on the Rogue River. P has been trying to get me to move up there too. When I complain about the Caveman ambience of Grants Pass (Caveman Motors, billboards with Cavemen dragging Cavewomen by the hair, etc.), she counters that I could settle nearby in the more refined community of Ashland, the Shakespeare festival place.

P is the executrix of my will, so every year or so I revised my detailed instructions to her regarding the distribution of my worldly goods. But I’ve never figured out if I want to REmain or CREmain, as it were. So one night I say to her, “I still don’t know what to do about ‘the body’.”

P (casual as can be): “I’ve already decided.”

Me: “Oh?”

P. “You’re going to Oregon.”

I howled, “That is SO against my EXPRESS WISHES,” and she just laughed.

A few days later, when T&J and I were having our farewell dinner (smoked pork sandwiches, onion rings, chicken salad, butterscotch crème brûlée), Jean said she wished they could put me in their suitcase and take me back to Massachusetts. I had just told them the story of P hauling my assh to Oregon, so I said, “Maybe you could get P to split the ashes with you.” Ha ha ha. One of them pointed out that I’d be happier with them because they live in ASHFIELD, get it? It only took me 2 days to realize the alternative is ASHLAND, so I’d say it’s a wash. That doesn’t even take into account my sisters’ possible wishes. Barb, in fact, protests, “Why Oregon? What is in Oregon? Will I have to say Mary gone to Oregon?… Or will it be Mary moved her ash to Ashfield?”

Quiet geek in Lake Oregon… Has a nice ring to it.

Barb pointed out that there are still three family plots in Riverside Cemetery where Mom, Dad, and baby Mike are buried. Mom’s ashes are tucked in at the foot of Mike’s grave, so there’s plenty of room left for me to have my “space.” I’m considering it. Having overcome my anti-hometown sentiments, I’m verging on the gung-ho (ya think?).

In fact, this just in… I’ve made my decision—or the decision that was a foregone conclusion unknown to my former illusion has come into view: Post-this-life, I’m headed back to the U.P. to rejoin my original nuclear family, yes, the prodigal electron comes whirling back into orbit, knowing, finally, that it can be the orbiter and the orbitee, hello Menominee!

It seems appropriate that I’ll end up getting’ down with the three people I’ve painted over and over for the past 20+ years, and not always in a flattering light. If there’s an After to this Life, I hope they’ll understand. When I get to the bright light at the end of the tunnel, I don’t want any angry ghosts on my hands. Part of my rap-prochement with the past is realizing that the key elements that have “defined” my life are not the deaths, the illnesses, the poverty, the illicit touching, the adolescent pain, the adult relationship pain, the pain the pain the goddamn pain. Flip the foreground and background—like that picture that looks like a death skull one way and a woman brushing her hair the other way [so sexist, but never mind that]—and you see the love, the sacrifice, the generosity, all the quiet invisible parental intangibles that created the offspring of William H. and Louise L. McKenney, and all the lives that have sprung off from each of us (in utero or de facto), and you know that the good far outweighed the bad.

***
The 7-day painting intensive was amazing, as always, packjam with insights and outtasights, real painters and painted realities, mysteries and surrealities, connections and discords, selfs and others, sisters and a coupla brothers, I’ll never do it justice so let’s just take a look at some highlights and lowdowns.

I was the only one it mattered to, and then I wasn’t there anymore.
—Polly

This line has stayed with me, because it’s one of the best descriptions I’ve heard of what happens in painting. You spend the day obsessing about this, that, and the other thing—not knowing what to paint, not liking what you painted, what’s going on in the room (“Everyone is into it but me”), what about this relationship or that work problem, what’s for lunch, will this day never end, etc. etc. Brain diarrhea, wontcha put me out of my miserrhea? And then… “you’re not there anymore.” Can you relate, dear reader? You’re not unconscious, you’re fully aware, you just aren’t “there,” Gertrude Stein-wise, in that petty, whiny little ego way with its long self-life and short half-life, it’s only half-living but we think it’s all there is. When we factor in the life after, our petty little head don’t want to be dead. No more ME. All we want is to continue to live (will there be a surge in the basic séances when the Boomers start moving to Ash Land?), but what if release from the body is like cracking through the egoshell and suddenly you’re “gone” but you still be with all the Gods chillin’?

After painting all day, when we’re all aglow, neither here nor there with our souls laid bare, all epiphany, happily happily, do we ever want to go back to the angst and torture of “nothing to paint”? No, we don’t. So why cling to our earthly fling, spend 80 years obsessing about this and that (and the other thing), knowing it matters only to us and then we aren’t there anymore but we’re so much more? What more could we ask for?

One day in the sharing, Pi-te (one of the sweetest men on earth) waxes poetic about the arrangement of flowers in the studio bathroom. He had followed the blooming of the gladiolas throughout the week and describes the buds, the careful unfolding, the luscious colors. The rest of us are thinking, “Geez, I never noticed any of that! All I see in there is the ordinaire, the “12 double rolls same as 24 regular rolls,” not exactly poet matter. Finally, Kate comes up with the answer. “He pees standing up!” The flowers are arranged behind the female behind, and the double (same as twice as many undouble) rolls provide the only distraction besides urinary satisfaction.

We have our laffs, that’s for sure.

As always, some strange things happened during the intensive. It’s like you don’t even know yourself after a few days of painting. The firm grasp you’ve been keeping on your identity starts to crumble, and you realize that your true self has no need to grasp—and there’s nothing to hold on to anyway. At various times I got agitated when I thought I had no reason to, and then was perfectly calm and collected when by rights I “should” have been upset. I got tired of hearing one of the painters harp about judging: “I judged, am judging now, trying not to judge, the judge says this, the judge says that, all is judgment, oops I’m judging again.” It was as if judgment were her identity, her badge or excuse, her comfortable pool of helplessness in which to wallow and never change because there would always be something to judge—it’s an endless loop, the judger is the judged, the observer is the observed (so that’s what Krishnamurti meant!), how would she ever see beyond it? I couldn’t stop myself from saying some of this in the sharing, in a shaky voice, not wanting to attack anyone but needing to say something, and everyone ignored what I said (or, I suppose, had their own things to say, imagine that) so I had to jump in later and say that I felt “hung out to dry” and that I “hated everyone” in the group for not responding. The general consensus was that I had merely been “thrown back on myself,” which is one of those things that sound good in theory but suck when it’s happening to you.

Barbara, of course, points out that I’m doing the same thing that I find so irritating about this other painter (I, too, am judging the judge), and says it’s useful to look at what we see in one another—or, to quote Byron Katie, “Judge your neighbor.” Use the judgment. You can only see in others what already exists in you.

One of the hardest things for me to deal with during a long intensive is not being able to nap at will. I’ve been spoiled rotten by working at home and setting my own schedule. So if I can catch a few winks in my car or on the couch in the sharing room after lunch, it really helps. I was sound asleep one day when a fellow painter, with the very best of intentions (thinking I may not have intended to go to sleep—clearly, she doesn’t know me very well), spoke my name softly and touched me on the shoulder. I CATAPULTED off the couch, yelled JESUS!, and my glasses went crashing to the floor as I rapidly tried to assess what was going on. As I sat there for a moment, head in hands, trying to bring down my heart rate, my FP (fellow painter) apologized profusely, but I was amazed to discover that I bore absolutely no ill will. I didn’t have to force myself to be polite for her sake, or overcome (or indulge) my true reaction. She said, “I made a mistake!” and I said (hardly recognizing myself), “It doesn’t matter! It’s like in the painting!… It’s all right, really, I’m not mad at all.”

This isn’t about my being a “good person,” it’s just something that happened. I never knew that things like that could go right through you, I’ve always held tight to any slight while believing I had no choice but to fight. When I told this story later, someone said we need to “work on” those reactions in our daily lives, and I found myself saying NO. No work! Not about working! It happens! It happens to you or through you when you are being truthful and not banishing the bad feelings. That’s why painting “works.” As Krishnamurti said, “The very fact of being aware of what is is truth. It is truth that liberates, not your striving to be free.” Painting truthfully (though difficult), sharing truthfully in the group (though more difficult), and especially being truthful (and true) to yourself takes you out of the realm of trying (to be a better person), working (on your issues), and processing (personal interactions). Instead, you feel irritated whether it makes sense or not, you feel forgiveness and love whether that makes sense or not, you paint what you paint and judge it or not, and it’s all part of what is, nothing special, no preference. You want to drive the train with your engineer brain, but Life maintains a seamless, trackless terrain. I guess it’s what the Buddhists have always said. Krishnamurti again: “Remembered truth has no value; you have to discover it each time. But each time you discover it, it’s the same.”

***
Let’s get back to my post-painting therapy session with J for a moment. Having struggled through most of the hour unable to be in the present, consumed with the past I wanted to present to her and even wondering, scarily, if I’d come to the end of therapy, I say, “I feel as if I used to sit in the audience in the dark theater and watch the movie [Life] on the screen. Now I’m in the movie, people can see me from all angles, I can see everything in 3-D too, and I don’t know what role I’m playing or where the story’s going.” No wonder I was having trouble knowing which character, action, or plot line to describe to her, like a movie reviewer in the middle of the show instead of the middle of the row.

I felt more in touch with J (and myself) after that, and it was past time to go, but I still wanted to show her my paintings from the 7-day. She loves to see them, and I don’t feel constrained in my prah-cess by allowing another’s eyes to gaze upon them. So I showed them to her in order and explained how I had gone into the intensive knowing I wanted to paint my sisters and maybe even my whole new-old family. I did paint B and K right away, but it didn’t feel anything like I thought it would. I had assumed that the warm loving connection from real life would flow onto the paper, but instead I stood there, thinking, “Who are these people?” When I paint my parents, they’re recognizable to me as images projected by me. But I couldn’t tell what I was projecting onto my sisters; it was as if I had painted two strangers. Both Barbara and later J thought this “mystery” mirrored my ongoing discovery of K and B as adults. It’s intriguing.

By day 2 or 3, I had started painting bodies from the inside out—first the bones, then fat, then flesh, with the skull staring out from the face. It was so intense that I felt like I was in one of those movies where someone’s trapped in a room and the walls are starting to move toward each other. I illustrated this to Barbara with my left hand in a fist meeting the irresistible force of my open right hand. She said that instead of fighting the intensity, I needed to SPLAT. No clues on how to accomplish that.

Barbara teaches like a Zen master, stopping at nothing to jolt us out of our mental ruts. She asks where more skeletons could be on my painting, and I point out that all the bodies already have them. She inquires innocently, “Oh? Can only bodies have skeletons?” I’m thinking, Yes. There aren’t even any more things to put skeletons in, and again she asks, “Can only things have skeletons?” At that point I give up and paint a “blob skeleton” inside a random shape. And somehow that propels me into painting the molecular structure of the people’s faces. Don’t ask me how.

On the final painting, I don’t start with my sisters, I start with me, and I’m big, with arms stretched wide at shoulder level. Skeleton + fat + flesh, I construct myself on the page with intense blue eyes, open mouth, strong golden lights beaming out of my heart tubes, more golden lights emanating from my midsection, which is intricately organed and celled, molecularly dense, no wispy spirit for me. The image feels so alive that I think it could almost get up and walk off the paper. (That would be a good excuse for taking a break: Can’t paint, my image is out having a cigarette.) I find myself retreating to the sharing room, where I take a deep, fast nap. The intensity is what we all say we want, and then when we get it, it’s almost too much to bear. Finally, I paint my parents on either side of me, pale-fleshily, looking at me dubiously. Who is this person who came out of us?

As I’m showing the paintings to J, she turns to that last one, and she is blown away! “We should have looked at this sooner!” she exclaims. She can’t get over the difference in the way I’ve painted myself. “And you say you’re not in the middle of something??” She mentions the wire sculpture “body” I made years ago: the exoskeleton constructed in wire on a floor lamp doubling as the spine, with a plastic skull, a rubber heart, ribbon- and bead- and flower-spangled innards, and skeleton hands. I had shown her a photograph, and she had marveled that it looked so much like my real body’s somatic posture, downward-sloping shoulders and all. So now she’s gazing in amazement at this painting, contrasting it with the earlier wire soma, pointing out the strong shoulders, solid bones, steady beams of light, intense gaze, so full of life yet self-contained.

What’s especially weird about her referring to the wire sculpture is that it had fallen down recently, and I had reluctantly decided I would have to take it apart. The skull was cracked, the chain and red skeleton hand had fallen off the heart, the yellow fluff that was a “flame” in the chest wouldn’t stay put, and the “neck” (a glob of Sculpey modeling compound to hold the skull on) had dried up and fallen off, so that was that. Nothing lasts forever. I thought it was sad at the time, but after what J said, I realized it was stunningly appropriate that my “old self” would crumble just as the “new self” was asserting itself on and off the paper.

Writing about this is tricky, because in the prah-cess we know not to comment on people’s paintings or to take any of the content to mean anything about us—not to mention the hubris of declaring ourselves to be shedding the old and becoming the new. The paintings are like light traveling for millions of years on a journey to nowhere in particular. By the time light is visible from Earth, the star it came from is dead and gone. So, in our case, what ends up on the paper—which to an “artist” and the “art”-worshiping world is the whole point—is really the detritus, the shed skin of the snake of creativity. The real art is in facing the Void with honesty and vulnerability.

Also, technically, the painting isn’t “finished,” meaning I haven’t gone to the very end and squeezed every last drop and dot out of it that I can. Which makes what happened next even stranger. (BK, avert your eyes!)

J says the painting moves her deeply—I can even see tears welling up (usually that’s my job)—and I’m moved by her response. There is a difference in my body/mind/being, and most of that difference stems from the work we’ve done together. So it feels perfectly natural when she says, If there’s any way I could get a copy of this… to say, I’ll give it to you. She protests at first but finally says simply, “I would be honored.”

I’m “breaking all the rules,” of course—I have never given away a painting before, especially one that isn’t finished. But as Barbara would surely say, There really are no rules except the ones we create, and we learn by testing them.

As so often happens when I start the hour begrudging the “artificial” format of therapy, questioning its usefulness at only 2 hours a month, something unexpected and perfect has happened. I had felt worlds apart from J, and then—SPLAT. I had assumed that the SPLAT, when it came, would be a collision, like a KO in the third round, but instead it’s a beautiful moment, so light, so effortless. At such a moment, I’m in love with life—the surprise and depth of it, the endless mystery, the light traveling toward us as though drawn onward by our grateful eyes.

***
On the last day of the intensive, Kate has the idea of getting a wedding cake for Terry and Jean, who were ceremonially united in domestic committed partnership (or something like that) in Vermont earlier in the year. Of course it wasn’t a “real marriage,” as it would be if they were a man and a woman who met in a bar in Las Vegas and got hitched the next day by an Elvis impersonator while jumping out of an airplane—oh no, how could their love and 20 years together possibly be “real” compared to the inherently holy union of male + female?? [end rant]

So there was much secrecy and whispering and plotting, and we searched in vain for two little bride figures for the cake. Kate says we can draw the figures instead, so she comes to me in the afternoon and asks if I’ll do it, and I say, “No, I can’t draw!” We look around, trying to think who among us can draw—pretty weird, for a painting group. Kate finally recruits Pi-te, and he does a wonderful job. Kate cuts the figures out like little paper dolls (they’re naked with rosy red nipples, a nice touch) and arranges them on the cake with flowers, and at the end of the day brings the cake out while we sing, “Here come the bridezzz…” and it’s great to watch Jean and Terry looking around in confusion, like “Who…?” It was a wonderful moment, especially because it wasn’t the work of a cultural subgroup honoring their own, it was just friends honoring each other.

heavy petting

Pookie has a new forbidden pleasure, and it’s all my fault. He often comes up beside me when I’m working and makes this little squeaky meow, so I pet his head, murmur some sweet nothings, and go back to what I’m doing. That used to be enough, but then he started presenting himself back end first, and one day when I was feeling especially generous I scratched his back down by his tail, and he got all blissed-out and tried to lick himself on the chest (not sure what that’s about). I frequently comb him with a spiky comb that’s like a bed of nails with a handle, and he likes that too, but there’s something about my stumpy fingernails that really gets him going. And I, being picky about where my stumpy fingernails have been, get all icked-out and have to wash my hands immediately—or at least rub them on my pants. (I’m Ms. Cleanliness-Is-Next-to-Godliness unless I don’t feel like getting up.)

Also… don’t tell the IRS, but… I think my home office is being “repurposed.” Pookie seems to be rallying his forces for a coup, or a koop (pook spelled backwards, huh, huh?). All his stuff used to be out in the hall, but I see it’s now spreading like a virus into my official tax-deductible work territory—his bed, tissue paper, toys, cardboard, catnip heart, ribbons, combs, chair (with towels, for on and under), ad infinitum. I admit I have a hand in this, because he doesn’t have any of his own (hands, that is), but he must be beaming commands into my brain or something (ha! yeah, right). And it’s not as if I have a lot of extra room in here. As I approach my desk, I have to negotiate several noncarpet surfaces: swishy, slippery, crunchy (sounds like the 7 dwarfs), spiky (that bed-of-nails comb is hell on bare feet), and that’s not even counting the litter crumbs, the clumps of fur, the kitty vomitus, and even the occasional turdlet. I ask you! When he starts running around the house frantically, I know there’s something hanging out of his ass that he can’t dispose of in the usual manner.

Well, I could go on and on, right, Pook? But let’s wrap this baby up and put it to bed.

[mutter mutter] get no privacy whatsoever.

jump around! jump around, jump up and get down!

Long Night’s Journey into New Year’s Day

3:00 a.m.: I’ve been listening to party music on Live 105 since 8:00 and don’t want to go to bed and miss any of it. It’s the perfect mix of every upbeat song you ever knew and loved, or didn’t know and get to discover, from the ‘50s to the ‘00s, a whole lifetime of the rock and the roll: James Brown, the Kinks, a dash of disco, Abba, the Clash, Sex Pistols, Oingo Boingo, the Cure, hip-hop, rap rock, electroclash, techno. The oldies are goodies, and the creativity of the new is awesome. Sampling and remix and turntable DJ’in’—it’s recycling that sounds like anything but—the perfect re-use of the musical environment, like a spangly new jacket made out of old tires. They play a techno remix of the Eminem song in which he proclaims, “Nobody listens to techno!” and of course that line is sampled over and over until the joyful irony imprints itself on yer dancin’ jones and yer party bones.

3:30 a.m.: They play an infectious hip-hop number called “Jump Around!” and I can’t help myself, I haul my middle-aged ass out of my chair and get out on the tiny dance floor (again, don’t tell the IRS)—“Jump around! Jump around, jump up and get down!” Pookie, who’s sprawled in the middle of the action, gives me the evil eye—it’s the middle of the night, for Christ’s sake! But I think he secretly enjoys it, and, besides, love it or leave it, eh tu, Pooké?

Next there’s a rap by a guy named Humpty who likes women with big butts. (By the way, when did the ass become so popular?) There’s a dance with this one, too, called the Humpty Hump, but I think I’ll humpty hump my derrière off to bed instead.

Love, Emelem

hi youse guys… ksjf87ffnvks*jlf.. what did she do, oil the wheels on this *@!&k% chair? first of all the pook-coup has already happened.. ive got her doin my biddin. I lift my eyebrow, wait do I even have eyebrows, never thought about it before. I twitch my whiskers and she scratches my back or gets me fresh tissue paper to lie on and thinks its her idea!!! im nuthin if not diabolical—eee-ah-hahaaaa!!!!!! have u noticed ive been practicin on the shift key, I almost have it mastered, just wait til I start typin in ALL CATS {oops, freudy-cat slip, oooh I crack myself up, teehee!}

No doubt! Pookie, butt out!

[Mary McKenney]

mary’zine random redux: #15 June 2001

April 5, 2009

(the underground sensation that’s waiting to happen… and waiting… and waiting…)

Saturday, May 12, 2001

I have the afternoon unexpectedly free, because I finished editing the latest Manual of Clinical Laboratory Immunology chapters, and more work isn’t due to arrive until Monday or Tuesday. This sort of lull always feels like a double-edged sword (if a lull can be compared to a sword, and I’m pretty sure it can’t), because there’s always that guilty voice in my head that says, You shouldn’t be lying in bed reading—or sitting at the computer typing—you should be sorting out the clothes you’ll never wear again (all those Levi’s with the shrunken waists) or dusting around the daddy longlegs that has taken over the bottom shelf of the bookcase (I’m the first person to actually live on a web site, ha ha). But for now, anyway, I’m going to ignore that voice. That’s one of the perks of living alone, or I should say, living with an animal companion who gives even less of a damn about housekeeping than I do.

I just got home from my little foray into the world. Usually, I try to avoid the world on Saturdays, because that’s when everyone else is in it, doing the chores that I could theoretically do any day of the week. It’s always a nightmare trying to find a parking place in Montecito shopping center on Saturday, but I manage to snag one next to an SUV that’s taking up two “compact” spaces. Why is it that you read annoyed letters to the editor in the paper every day about how much everyone hates SUVs, but whenever you leave the house, they’re everywhere? It doesn’t seem like there are enough people left to hate them. At some point, the regular car drivers are going to feel like manual typewriter enthusiasts complaining about those newfangled computin’ machines, and no one will care—not that they do now. To quote an SUV buyer who was informed of how much damage those things can do to a regular car in a collision: “All that matters is that my family is safe.

What I want to know is: Why is everyone so goddamn self-absorbed? Why do we insist on pulling around the wagons (or the light trucks) and seeing everyone else as the enemy? Why is the basic construction of social reality “us versus them”? “Us” can be a country, a political party, a state, a city, a school, a neighborhood, a block, a family. The square root of “us,” of course, is “me.” Me and mine. Screw you and yours. Does this antagonism toward “the other” stem from a childhood of choosing sides for Red Rover? Or is it our “selfish genes”? Are we trying to survive as the fittest by constantly walling ourselves off and defining ourselves as different from everybody else? It’s as if we’re all aliens with—instead of exoskeletons—exo-immune systems, wearing our star wars defenses on our sleeves as we go around attacking one “nonself” after another.

I include myself in this, never fear. There are the rare feelin’-groovy days when I can leave the house and more or less float on a cloud of good will and compassion. On those days, it feels like it’s my karmic duty—even my pleasure—to be courteous to other drivers, patient in long lines, solicitous of harried store clerks. Some days, I’m on the borderline, don’t know which way I’ll fall in a crunch. That’s when a friendly clerk or a bitchy fellow customer can make or ruin my day.

In the last issue of the ‘zine, I wrote about how we stereotype other cultural and racial groups. When someone makes a bad move in traffic, we check out the driver and think, uh huh, Asian. If someone’s driving too slow—uh huh, Hispanic. But when it’s someone of your own general complexion and geographic origin, you have to find something else to pin on them—uh huh, SUV, talking on a cell phone. Like this one—pulls ahead of me into the parking lot when no way is it her turn… then sits there blocking my progress to wait for someone else to pull out who hasn’t even gotten in their car yet, when she could have kept going and found another spot farther away from the store and would it have killed her to walk the extra 10 yards?? In our cars, we dehumanize one another on a regular basis—idiot! asshole! Maybe the true pollution of the planet is coming not from our exhaust pipes but from our toxic thoughts.

So at the ATM, I deposit the $15 “tax break” I received from the DMV. How stupid is government (or Republicans), that they’d rather give a dime to every man, woman, and child than fund schools, libraries, and fire departments??

Excuse me, I seem to have stumbled into the Department of Curmudgeonly Rants.

After making the deposit, which will swell my bank account hardly at all even as it bankrupts California’s, I go next door to Silver Screen Video to rent the first few episodes of “The Sopranos”—I have finally broken down and decided to see what all the fuss is about. [Thumbs way, way up!]

Then I drive down to Woodlands Market in Kentfield, which is an absurdly long way to go, but they have the best gourmet deli in Marin, and I’m addicted to their pan-fried filet of sole, chicken tacos, quesadillas, and even (gasp!) roasted vegetables. The problem is, I never know when they’re going to have my favorites, so I’m trekking over there every few days. I justify the extra mileage by reminding myself that at least I don’t drive an SUV. (Apologies to my dear readers who may be thusly vehicularly endowed; if it’s any consolation, I shall soon turn my attention to a group you probably have issues with, too.)

(As I was typing that last sentence, I saw a little bitty object floating by—the smallest spider I have ever seen. I grabbed the thread it was presumably hanging from—surely it wasn’t doing the Australian crawl in mid air—and started pulling it back in the other direction so it would drop to the floor and not into my keyboard. It fought me, flailing its little legs to keep going in it original direction, as if it had an important appointment on the other side of my desk. But I proved to be the victor in this little struggle between Woman and Nature. I flicked my fingers a few times to get the spider to drop, and now it’s probably crossing the desert of the plastic mat my desk chair sits on, cursing [in tiny spidery nonverbal epithets] the surface roads and me—that huge invisible [i.e., too big to comprehend] force that pulled it off its path. Of course, when this sort of thing happens, you can’t help but make it into a metaphor for your own out-of-control life and wonder what giant being is sitting at its cosmic computer typing the latest issue of the cosmo’zine when you float by, hanging by your own tenuous thread, thinking you know exactly where you’re going until you are plucked out of thin air and made to start over on much rougher terrain. Can you?)

In my high school, the reigning “pet peeve” was “people who think they’re better than other people.” I used to make fun of this cliché—I thought I was better than people who spoke in clichés—but I’ve come to believe that this is the universal complaint. Arrogant America hates arrogant China. Arrogant men hate uppity (arrogant for women) women. Arrogant bike riders hate arrogant car drivers who hate arrogant pedestrians. We are not our mode of transportation, as closely as we may identify with it at times—I mean, SUV drivers, if you prick them do they not bleed? But we all seem to be convinced on some deep molecular level that other people are the problem, when in fact the problem is us, and we are all, all of us, us. The next time you’re cursing the traffic, think about who you are at that moment—traffic. And sure, work toward alternative modes of transportation and all that, but how about addressing a root cause or two, such as our bloody insistence on separating self from nonself when there is no earthly reason to do so. Cooperation would get us across town more quickly and more pleasantly, but that doesn’t seem to occur to anyone. (Oh, how I exaggerate. There are plenty of mensches out there on the road, and whenever I encounter one of them, my gratitude is boundless.)

Being as self-centered as the next person, I hate all other operators of transportation—maybe especially the arrogant bike riders—who hate me for driving anything with a combustion engine, no points for fuel efficiency or, for that matter, physical limitations that make it impossible for some people—your aged, your infirm—to peddle to and fro morally superiorly. I barely notice the thoughtful, careful bicyclists, because I’m fixated on the ones who shoot through stop signs and force cars going in their direction to cross over the center line and risk head-on collisions so as not to run them over. And the thanks we (car people) get for not wanting to crush them under our wheels is to be excoriated as selfish road hogs and polluters, as if everyone who’s not 25 and physically fit and a vision in spandex and God forbid has to carry a passenger or several bags of groceries should just die now and leave the spoked-persons to live out their joyful green existences until they too turn 40 or 50 and have to start riding sitting down with the help of four wheels and a seat cushion and then we’ll see…. I find that one of the consolations of aging is that you get to see what’s in store for the young whippersnappers who think they invented youth (when everyone knows it was invented in the late ‘60s).

So Woodlands Market is overflowing with people—I really should have known better. And of course in my current frame of mind, I notice every inconsiderate shopper who leaves her cart sitting in the middle of the aisle or—worse—pushes the cart into the store and stops just inside the door to gape around at all the motion and color or to root in her handbag for her glasses or shopping list, then shuffle forward just as I’m trying to go around her. Naturally, I don’t see myself and my cart as a hindrance.

Well, the only item the deli has today that I want any part of is the flank steak quesadilla, so I manage to swim upstream far enough to get my number called and get waited on and then gratefully leave the main tributary for one of the smaller streams that will take me to the less-populated produce department where I can pick up my obligatory broccoli and bananas and gaze longingly at the raspberries, which are still $3.99 for a package of about 10.

I check my shopping list, pick up the Sunday Chronicle, and, right on cue, start hearing the siren call of the Mountain of Baked Goods over on the other side of the store. My cart weaves its way through the crowds, suddenly as agile and single-minded as a horse heading for the barn, and I spot some individually wrapped cookies and actually pick up and hold in my hand a huge, fat peanut butter cookie, squeezing it just enough to see that it’s soft the way I like them…. I will hate myself if I don’t buy it, but I’ll hate myself more if I do, so I heroically put it down and get in the checkout line like the martyr that I am. It would be nice to think that my act of self-sacrifice will really make a difference, i.e., produce weight loss, but nooooooo… the only thinness in my future is the thin moral victory of occasionally taking the high road and leaving behind the peanut butter or chocolate chip cookie, only to succumb to the key lime tart at the next stop. As I leave the store, I wonder, How can I believe in a God who created a world in which fat and sugar are both ubiquitous and off-limits? It’s the Adam and Eve story all over again—He puts temptation in your face and then punishes you for succumbing to it. “You call this Paradise??,” I cry in frustration. (If I’m struck by lightning before the next issue comes out, you’ll know I went too far with my religious humor.)

Last stop, the post office to mail some invoices, a birthday card to my sister, and the last of the ‘zines. Arriving home, I look forward to a lazy afternoon napping followed by an evening watching “The Sopranos.” The red light on my answering machine is blinking, and I push the button, wondering why leaving the house seems to create a force field that attracts incoming phone calls. The message is from someone I don’t know who has found my ATM card in the machine next to Silver Screen Video. Needless to say, she didn’t have to interrupt her own busy day to look my name up in the phone book and call me, much less offer to meet me somewhere to hand the card over in person. When I call her back, she’s on a cell phone, no doubt cruising the area parking lots in her SUV, annoying everyone in her path. Maybe she already annoyed me an hour or so ago as I was leaving the shopping center unknowingly sans my ATM card, railing against her choice of transportation and her total arrogance and disrespect, never dreaming she would turn out to be such a decent person.

Opposite of the Life Force

Recently, I spent 5 days painting the Opposite of the Life Force. It’s amazing, the things you learn while painting intuitively for long periods.

For example, Death, contrary to popular opinion, is not the Opposite of the Life Force. The Opposite of the Life Force, at least in my world, at least for those 5 days, is or was a kind of sucking, dragging force that operates from within—like a parasite that attaches to a host and sucks it dry. It’s closer to what we call depression, which is an involuntary refusal to face up to Life and its demands.

Day 1: I have not been looking forward to this painting intensive, because I’ve been depressed, probably as a result of barricading myself (figuratively) in my condo for the last 6 months, leaving the house only to do battle with my fellow drivers on the way to the supermarket, where I fight a different kind of battle (in which the word “bulge” figures prominently). In the morning session I feel temporarily liberated, as if indifference to product can be equated with freedom, but that pseudo-confidence quickly breaks down. I spend the afternoon struggling, “trying to surrender” (an oxymoronic phrase if I’ve ever heard one). In the group sharing at the end of the day, I call it Mind Participation Day because I spent the whole day trying to keep up with or stay ahead of or stay on top of or in some other way be in control of the creative process. Barbara talks about “contraction,” and I feel the word echoing in all my dry and clenched parts. My whole life feels contracted lately, as I retreat into greater and greater isolation. And my body conveniently carries out the theme, with a sensation in my upper abdomen that’s like a fist, or a glacier—an example of my lifelong tendency to curl various parts of myself up into a tight, defensive knot.

Day 2: It seems like a good sign that I get weepy in the shower. Maybe my inner glacier is starting to melt. I arrive at the studio sodden with tears and tell Barbara half- (or maybe 10%) seriously that if I could kill myself but make people think it was an accident, I’d do it. Barbara shoots glances at me during the sharing, and I finally say a few words that I can’t remember now. The words aren’t important, anyway; what’s important is that I’m starting to shake and crack. My carefully constructed façade—“I am a rock, I am an island”—is falling apart. No one has yet been able to satisfactorily explain how standing in front of a sheet of paper all day, painting whatever wants to come out, reflects so faithfully what’s going on inside. But it does. The mind may run along behind, like a dog trying to catch a car, but the creative process goes from zero to sixty in nothing flat, and it’s good-bye to your carefully calculated avoidance.

I paint myself embraced by—or crushed between, is that the same thing?—my dead parents, the three of us bound together by golden ropes. Then I paint some of the other people I’ve known who have died—Grandma and Grandpa Larsen; Aunt Doris and Uncle Sonny; my baby brother Mike; Francis the drowned 10-year-old friend; adult friends Jo, Sue, and Dot—and finally I paint the anonymous dead. It’s soothing, believe it or not. (I’m taking a chance by writing about this for people who don’t paint, because it’s bound to sound weird. But it’s liberating to paint taboo or scary images. It’s as if exaggerating the fear collapses it, revealing the lie it’s based on.)

It feels good to cry while I paint, but at lunchtime I just want out of there, so I get in my car and start driving. It’s Bay to Breakers race day, and the city is inundated with people in tiny shorts carrying water bottles. It’s a beautiful, sunny, windy, foggy-over-the-Gate day, and I have the sun roof open and “The Sopranos” soundtrack on tape. I’m blasting The Lost Boys, Elvis Costello, The Stones, Bob Dylan, the Pretenders, Van Morrison, and the Eurythmics—like a real California girl, driving down the road with the wind in my hair and a song on my lips. Before I know it, I’m over the bridge into Marin. I have lunch at a food court in a shopping center, of all places—it’s surreal to walk among the Sunday shoppers in the 90° heat, as if I’ve been beamed to another planet. I’m close to San Rafael, so afterward I go home and take a nap. My 2-hour lunch has turned into 3, but somehow it’s what I needed—to touch base with the familiar. As I drive back to S.F. across the windy bridge, I hold tight to the steering wheel. It’s not so much that I want to live after all as that I don’t want Barbara to think I deliberately crashed if God does decide to take me in a head-on collision.

In the sharing at the end of the day, everyone is giddy with nonlinear thought, having abandoned the left side of the brain for 2 days in favor of this other, nonverbal language. What people are saying would sound strange to a nonpainter—“I tried to paint the flesh first but I had to paint the bone and put the flesh on after! And it turned out exactly the same!”—but everyone is nodding knowingly. It’s like discovering that words float on the surface of an ocean we’re usually not aware of. It’s only the second day and we’re already submerged deep in that ocean, waving to each other as we glide by, pointing and gesturing with words that work better on dry land but that carry our meaning nonetheless.

As always happens in a painting intensive, I connect with my old friends and discover one or two people I’ve never really noticed before. In the sharing, an Israeli woman talks about feeling “unsafe.” Later, I ask her what she meant, and she tells me about being born in Israel right after the Holocaust and feeling unsafe in the world as a Jew. Because I’m blasted wide open at that point (painting = an explosive force for good), I find myself responding from my heart, without my usual self-censorship.

I say, “I think this is the perfect place to be Jewish.” (My mind looks on in amazement: What are you talking about?)

Then I say, “I’ve always felt deeply connected to Jewish people.” (Oh Lordy, what a lame thing to say.)

But my words seem to touch her, and we hug and beam at each other. It’s a mystery and a gift how these sudden, inexplicable connections happen after a few days of painting. There we are, standing literally with our backs to each other all day, and yet when we come face to face afterward, it’s as if we’re looking into our own eyes.

The sky was dark with chickens coming home to roost.
—Line from some old movie

Day 3: I’m tired, wrung out. Trying not to pop an Excedrin for the energy boost. (Barbara has asked us to consider our unspoken beliefs, and I realize I believe that I can only get energy from caffeine.) It’s that horrible feeling of no escape. Barbara works with me to see how I can get my own energy going on the painting. She asks how I feel in my body, and I say it’s like a force dragging me down. I call it the Opposite of the Life Force. This sparks something in me, so I start painting the Opposite of the Life Force as a monstrous-looking, multicolored creature. My interest and energy level pick up immediately, but after I paint for a bit, I start to feel physically tortured, as if the Opposite of the Life Force (OLF) and the Life Force (LF) are using my body as a battleground. I can’t sit still, can’t stand still, my back hurts, I go outside, can’t stay there, lie on the couch, can’t lie there. I feel like I’m being mangled and battered and beat up. I tell Barbara this, and she says, in all seriousness, “That’s exactly what’s happening to you.”

If there are states of Grace in painting, when painting is sheer bliss, there are also states of Torture—which may be the same thing in the end. The only thing that keeps me going, besides the fact that there’s no rescue anywhere, no fucking Choice, is that I know it means “something is happening”—the iceberg is melting and the contraction is painfully releasing, at least on some level. It’s like some sort of visceral fight for life, the natural desire of the mind-body-being to live. I spend 2 or 3 hours in this physical torment, and there’s no relief even after I finish the painting. When there’s only about 10 minutes left in the session, Barbara works with me on how to start a new painting. We talk about various possibilities, and finally she asks how the OLF sucks the LF out of people. It takes me a minute to come up with the obvious: sucking tubes that attach to all the tender places.  So I start a new painting with another big OLF creature with all these tubes attaching to my body, and—I swear—I immediately become completely calm and quiet inside… it’s that dramatic. And a good thing, too, because it’s almost time for my friends Liz and Eric, who are visiting from Oklahoma, to come by and take me to dinner. I’m exhausted from the day’s battle, but instead of wanting to rush home and hide, or sleep, I look forward to seeing them.

the world—bring it on

It can feel strange to go out into the world after painting all day, especially in the company of nonpainters, but this time it’s exhilarating. We end up at Goat Hill Pizza on Potrero Hill, where’s it’s all-you-can-eat night, so it’s filled with pizza lovers partying like it’s 1999. We eat salad and pizza and drink wine and catch up on our news. I feel great, and I can’t explain why. I tell my friends about the OLF, and instead of my usual feeling that I have to portion myself out to suit the sensibilities of whichever “type” of friend I’m with, I realize I can be myself in all my complexities and contradictions, like an actor with a meaty, complex role instead of a walk-on part. What a gift.

Day 4: Now we come to the more challenging part of my story, because you’d expect me to be in painting bliss for the next two days, after my “breakthrough.” But I revert to depressed mode. I have a slight hangover and didn’t get enough sleep, still want the temporary boost from caffeine, and don’t feel up to another day of fighting the OLF. The thing about painting is that, though there can be periods of deep peace, you can’t know ahead of time which way it’s going to go. So there’s no choice but to keep painting and deal with whatever the moment brings. (Barbara has pointed out that, when we say we want to live “in the moment,” we usually have an image of “the moment” being all peaceful and serene—when actually, “the moment” is constantly changing.)

On my new painting, I enjoy creating gruesome combinations of colors—smears of blue, black, yellow, and red. Strangely, the uglier I try to make the OLFs, the more colorful, cheerful, and lively they look, as if they’re being transformed into their “opposite” as I paint them—the Opposite of the Opposite of the Life Force. Eventually, I notice that I no longer know what these creatures are about—they still have sucking tubes coming out of their bodies, but they also have crosses on their foreheads, and the image I’ve painted of myself getting devoured by them looks quite peaceful. It’s such a relief when you say good-bye to the duality of the thought process—all those either/or’s. Painting—to return to the ocean metaphor—is like submerging in deep waters, leaving behind the panicked, bobbing lifeboat of our surface lives. Such drama up there on the surface!—thinking we know what Life is all about—or that we’re supposed to.

At the end of the day, John Irwin, our beloved physicist friend, comes to talk to the group about life and the universe from a different point of view. As he tells us about cell division and the Big Bang and the “100,000 Club,” his words wash over me. More than the scientific facts, what I’m receiving is his deep love of studying the physical universe. I marvel at how we all have something inside that drives us to greater depths—none of us lives on the surface, not really—regardless of how different it may look from what drives other people.

Day 5: Painting is easy, but I get caught in looking for a result—not the result of a beautiful painting, which is what I used to want, but the result of having my physical symptom subside. It’s tempting to think of painting as a panacea, a switch I can turn on to eliminate whatever problem I’m having. In the afternoon, Barbara and I discover that I’m avoiding painting anything on the “peaceful me” that’s being “peacefully” devoured by the suddenly “peaceful” OLF. So I paint two black wedge shapes on the body at waist level (where I feel the pressure in my actual body), and I immediately know that Death is standing behind me with its “wings” gripping me from behind. So I paint the hooded, skull-faced Death figure, and I realize that death is not the opposite of the life force, that Death and Life are just doing a dance—they’re the Fred Astaire and Ginger Rogers of the Universe (Life does everything Death does, but backwards and in high heels). But my stomach symptom is bothering me more and more. I’m disturbed that all my breakthroughs in the painting haven’t affected my somatic reality (at least not for the better), and so I climb on my “vicious cycle” and pedal back down the path of hopelessness.

Again, writing for nonpainters, it’s hard not to feel like painting’s earthly representative, its priestess or pope, as if it’s my job to hand down the received wisdom from on high. If I were writing a propaganda tract to convince you to try it, I probably wouldn’t include such information as “I was just as depressed at the end of the 5 days as I was at the beginning.” This is one of the many mysteries of the creative process. You don’t put your quarter in the slot and punch the button beneath the treat you’ve decided you want. Like God, painting works in mysterious ways. Like prayer, it’s a surrender to a higher will, not a wish list you mail to Santa. What it does is to get something moving, and it may be weeks or months before you get a clue as to what was really going on.

In the final sharing, the woman from Israel who had felt “unsafe” earlier in the week talks about how strongly she had felt while painting that she was “stopping the war” with each stroke of the brush. (“Making a cup of green tea, I stop the war.”) She feels that by doing this deep inner work we are “in service of something”—though it seems impossible to name what that “something” is—a thought I’ve had before, too. As Krishnamurti said, “You are the world and the world is you…. You do not have similar consciousnesses, you have the same consciousness.” Though the mind has its place—like seeing how I project my own bad thoughts onto other drivers and shoppers and people in general—this knowledge has to be felt deep in consciousness, at some core level of being where there is only you (=the world), no escape, no choice but to respond honestly and fully. The reward is a deep feeling of connection with all of life. This is what I trust about painting and about the wonderful community of souls with whom I share it.

pookie sleeps around

It’s a mystery how cats decide where their favorite “spot” is and an even greater mystery why it changes from day to day or week to week. Pookie has a perfectly good bed; in fact, he has the mezzanine suite (upstairs hallway). His sheepskin bed is tucked in the corner by the water heater closet, and across from that are a large piece of cardboard and a couple of wine corks for his batting pleasure. The cat dancer dangles invitingly from the stair railing, but he ignores it unless the human motivator (yours truly) gets it bopping up and down and bumping against his back and swinging just out of reach of his paws. This is not a cat with a whole lot of get-up-and-go. (As my father would say, his get-up-and-go just got up and went.) Despite this perfectly comfy arrangement, he adopts various other sleeping spots, which I suppose, for one who sleeps 23 hours out of every day, is appropriate—[Note to self: Explore metaphor of Eskimos having lots of different words for snow—oops, someone’s at the door]—

ha who is she kiddin theres no one at the door and if there was she wouldnt answer it. shes as bad as howard hughes for gods sake. shes probably down in the kitchen trollin for snacks which believe me in this household are few and far between at least the ones that are any good. she hoards that tuna flavored laxative like it was gold. in case you havent guessed this is pookie god help me with such a name. it wasnt easy gettin up on this blasted chair its got wheels and its hard for me to balance   ohhnooooo… 23erghmffffbb blxxxxzz,,, sorry about that i almost took a tumble. ok ive got a lot to say and not much time so listen up. i am not the weird one in this family believe me. the stories i could tell… shes a wild one when no one is watchin no one except me of course not that i count for beans around here. youll have to fill in the exclamation points which believe me this paragraph is full of at least in my head but i cant seem to work the bloody shift key. oh oh here she comes xxzgaluuffffmmb…

Well, there was no one at the door after all, sorry about that [munch, slurp]. Now where was I? Well, one of his favorite afternoon sleeping spots is under a stepstool in the bedroom. I thoughtfully keep it draped with my clean laundry so he has the illusion of privacy, at least that’s my excuse for never putting my laundry away, ha ha! He thinks he’s hiding but doesn’t realize that his big furry rear is sticking out the side. Sometimes I’ll be looking distractedly in that direction and realize there are two big green eyes looking back at me from between the sleeves of the draped t-shirts. As soon as we make eye contact, he comes lumbering out, creaking like an old man, sometimes one leg buckling slightly under his considerable weight. [Hold that thought, I think I hear the mailman...]

hi its me again geez any excuse to go down to the kitchen eh// considerable weight can you believe that111111111111 big furry rear1111 you should see her in the bathroom in the mornin now theres a sight111. i mean if there was ever a case of the pot callin the kettle black … o shit njxkmv,bn/mbbf//,,,,

That’s funny, I could have sworn I heard the mailman [gulp, crunch]. Let’s see. Oh yeah, lately he’s adopted the cramped space between the dresser and the nightstand, where he lies on a bed of Kleenex (never mind how it got there), crammed in between the books strewn under the nightstand and the crowbar I keep for earthquake- and intruder-related emergencies. He has to climb over the duffel bag I still have packed from Y2K to get in and out of there… weird… [Now that’s got to be the mailman...]

who the heck is she kiddin///// what could she be findin to eat down there///// nkkkco886hfjfl;lsamd;;;/

Ah, that’s better. I feel quite refreshed after walking up and down the stairs a few times. Hmmm, how come my chair is moved every time I come back here? And what are those cat litter crumbs doing—POOKIE!!!!! OK, just for that, I’m going to dish some real dirt. You think the name Pookie is undignified? Well, how about I tell the nice folks what your previous humans called you, the ones who abused you. SQUEAKY. There, how do you like that? And furthermore, I’m done telling cute stories about you, you ungrateful little… hey!—NO FAIR—don’t you dare cough up hairballs at me! why I oughta… Get over here!!

i will not use the computer without permission
i will not use the computer without permission
i will not use the computer without permission
i will not use the computer without permission
i will not use the computer without permission
nkkaakco88p0hhfjfl;amd;;;/

THE END.

[Mary McKenney]

mary’zine random redux #17 Sept./Oct. 2001

March 26, 2009

life goes on within us and without us

You can kill birds. But you can’t kill all birds.
—Krishnamurti

dear friends,

I have started writing this issue many times, in many different moods, and with uniformly disappointing results. Whenever I reread what I’ve written, I see there is no way I can send such disjointed, inappropriate, maudlin, not maudlin enough, one-sided, too-many-sided musings out into the world. You are probably being overwhelmed by points of view just as I am. You are teetering between your own constantly changing states of mind. You are feeling connected and disconnected, close to your heart and far away, back and forth, on again, off again, just as I am. Why should I add to the deluge? I think the answer is simple: I want to take part.

My hopes and expectations for this issue can never be met. I want to strike just the right balance between horror and hope, sorrow and inspiration, with just the right tone—not too heavy, not too light, juuuust right. You’ll note that the word “right” keeps popping up. My way of dealing with most things is to figure out what’s “right” and then plant my flag, so to speak, there. That was a lot easier to do when I was younger, I’ll tell you. Or maybe it’s the nature of what happened, the complexity of an enemy without a face—or with one face that we’ve demonized so we can think there’s a clear target. Regardless of the terrorists’ extreme methods, they do reflect the feelings of a certain segment of the world’s population. “One person’s terrorist is another person’s freedom fighter.”

***
Sometimes it has felt as if there is just too much to take in—too much sorrow, too much suffering, even too much beauty. I can’t watch the crying firemen anymore, or hear the beautiful stories of sacrifice and love. The tireless rescue effort, the photos of loved ones. The two people who jumped from one of the towers hand in hand. The immense grief, the immense generosity, the immense compassion. My heart resists the workout it’s getting. My brain, too. Every time I turn on the TV or read the newspaper, there’s new input to consider, new tragedies, new strategies, new acts of heroism, new acts of scapegoating, new warnings that we have entered a new world in this new millennium. I am tired of the new.

I see us all creating narratives out of what happened, as if we’re little kids wanting a goodnight moon story before bed. And maybe, at heart, we are. Some people have fashioned a scenario of how Flight 93 went down; it’s just a story, but we have powerful incentives to believe it. In our minds, we’ve already cast the movie—Tom Hanks, Ben Affleck, and Matt Damon, ordinary/extraordinary guys who heroically band together to bring the plane down to save the lives of their fellow Americans.

Other people are trying to “decode the message” sent by the hijackers—September 11 is 9/11, get it?, and two of the flight numbers are eerily close to the latitude of lower Manhattan. I told Peggy about this, and she said, “I think we got the message.”

Everything I read and see gives me a different perspective and wipes out the one I had five minutes ago. My spine unwillingly tingles when I hear “God Bless America.” Some part of me responds to the fist-shaking of G.W. Bush and despairs of the “give peace a chance” crowd who don’t seem to have both feet in reality. But another part of me—the legacy of the ‘60s—will probably never be able to fully embrace the American flag. Too much horror has been perpetrated in its name. Bush’s disingenuous use of the term “bully” to refer to the terrorists strikes me as ludicrously inaccurate. If the U.S. is Goliath, which by all accounts it is, then the stone that David throws at us is not the act of a bully, it is the act—no matter how misguided—of an underdog who sees no other way to bring the giant down. We Americans should understand this better than anyone, we the proud historians of our own revolutionary beginnings. But I suppose that is one of the lessons, that the underdog grows up to be the top dog and adopts the posture of top dogs everywhere: We’ll do what we want—because we can. And those of us who live in the top dog’s kennel (am I getting carried away with my dog metaphor?) have been so complacent, so entitled as “Americans—leaders of the free world.” Like we really deserve all our riches.

I wrote the following to Terry late in the first week:

My feelings and thoughts are all over the map. Mostly there’s just a disconnect and confusion, dotted with moments of anger—no fear, though, strangely. Alternately heart-open and heart-closed, for no apparent reason. Going grocery shopping, I’m half extra-kind and compassionate, and half irritated if anyone gets in my way…. It feels like the best of times and the worst of times. Yes, the best of times. It truly does feel as if good could come of this, though it’s often only temporarily that people realize the preciousness of life and have good will toward their fellow humans. I keep being surprised and not surprised and angry and not angry. I am not about to start flying the American flag. Is that a vestige of my misguided youth, or is it good to keep a level head and not dive right into rabid nationalism? Confused, confused, confused…. I read the widely circulated Canadian journalist’s defense of America (which was written in 1973, by the way, not this week) and I think, yeah, we always help out other countries, rah rah for us, and then I think about all the havoc we’ve wreaked in the world in the name of patriotic zeal and anticommunism—defending our oil interests, making alliances with dictators; we’ve been on the wrong side so often. And now I’m identifying with this “we”? Who are “we”? I’m impatient with both the left and the right, with any politics at all, though I know it must come down to that….

Intermittently, I stop thinking and just let myself watch and feel. Jon Stewart of “The Daily Show” choking back tears as he describes the former view from his apartment—the World Trade Center—and the view he has now—the Statue of Liberty. Dan Rather crying on David Letterman’s show—not discreet, manly tears but a crumbling of his stern newsman face. I’ve never seen so many men cry.

And then my brain takes over again. Dan Rather asserts that this “war” is not a clash between cultures, between religions, or between wealth and poverty—it’s about good and evil. They hate us for no reason. They just want us dead. And so I lose my previous (five minutes ago) certainty and start questioning again.

My questions chase their own tails.

***
Dust settles, mind does not.
—headline over Joan Ryan’s column in the
Chronicle

It’s unreal. It’s scary. I can forget it; I can’t forget it.
—my friend E in Washington, D.C.

***
I thought about writing this issue as a series of journal entries so I could focus on what I was thinking and feeling on a given day. But I realized that the entries would have to be constantly updated:

9:05 a.m.—Heart touched by the plight of Afghani refugees fleeing their country in advance of war.
9:10—Anger at people who think they’re the only real Americans because they came here from lighter-skinned parts of the world.
9:15—Grateful for national leaders who emphasize that Arab Americans are—hello!—Americans. At least we’re getting a much-needed education in Islam.
9:30—Anger at headline, “Falwell says U.S. has lost God’s protection because of spiritual void.” Is he HIGH?
10:05—Heart touched by hug from my favorite grocery store clerk.
10:40—Irritated by “violence only leads to violence” argument.
11:15—Fearful of “violence is the only thing they understand” argument.
11:20—Feel I have to choose one argument over the other. Can’t.
11:30—Horrified by images I can’t get out of my head—scads of shoes on the ground from falling bodies. [2009 update: A TV ad (for shoes, I guess) has shoes falling all over a city street, and I gasp: Did the imagery not ring a bell for anyone at the ad agency?]
11:42—Moved by stories of firemen’s heroism and self-deprecation (“just doing our job”).
12:05 p.m.—Up to here with images of wistful beauty and elegiac sadness.
2:10—Sick that this happened after Bush became president.
2:15—Wondering if Bush could be the right man for the job after all—can’t see Al Gore doing much for the national morale.
2:20—Friend I say this to writes it off to shock.
2:21—Realize she’s right.

And so on.

***
Some of you know that I put the mary’zine on hold this summer because of an unintended side effect of taking Zoloft, the anti-depressant, anti-anxiety, anti-obsessive-compulsive-disorder medication that I have come to know and love (and just in time). No one could have been more surprised than I that I lost the desire to sit on some literary observation deck above my life and describe its ins and outs, its ups and downs, in witty or soulful terms for the edification of dozens. My “new self” no longer felt it had to justify its existence by writing or publishing.

But that was one of the few down sides, and I was willing to give up the ‘zine if I had to, because Zoloft rocked my world. Or I should say, it steadied it. It was as if my brain, body, and soul—victim(s) of brain chemistry or life experience or unexplained personality defects—soaked up this neuron-connecting drug like a parched begonia, leaving me calmer, less self-conscious, less afraid of what other people think of me, less judgmental of others, content to do the little tasks that are required to maintain a household. I first noticed the drug was working when I realized, to my amazement, that I was perfectly happy to be sitting on a stool out on my patio in the morning sunshine washing and laying out on a blanket approximately 5,000 separate sand tray items that hadn’t been dusted in years, from skulls to plastic hearts to spiders and beyond. I had a sublime moment of realizing that there was nowhere to get, nothing to achieve—that doing this task mattered more than finishing it. At last, I knew what it meant to be “in my body” and to simply be without the usual internal litany of “I’d rather be [reading, sleeping, eating]” (not necessarily in that order).

And then the Events of September 11 happened (“Event” is my chosen euphemism, a good substitute, I think, for “first war of the new millennium”). It’s a cliché, but my foundation felt shaken, like after the 1989 earthquake. After a couple days of total shock and media overload, I e-mailed Diane, saying in part,

… by turns I’m a prickly pear and a dish of mush and an unconcerned Zoloftian and a selfish Bay Arean who doesn’t know anyone directly involved and was damn glad to know that you, my chick-a-dee-dee, were driving and not flying on the fateful day.

In her reply, Diane suggested that I had the beginnings of the next issue of the ‘zine. So she was the first to put the bug in my ear, the bee in my bonnet, the ants in my pants to get the ‘zine back on track. I began to hear the call of the blank computer screen, even as I wondered what I could possibly add that would be of value to a world already saturated with expressions of grief, loss, anger, and love.

***
All week, I kept hearing people in the media talk about how in times of tragedy, everyone instinctively reaches out to make contact with their loved ones. I sat here alone in my home office, editing yet another book about microbes, wondering why my loved ones weren’t reaching out to me. Of course, I wasn’t reaching out to them, either. But I did turn on the ringer on my phone, way up to 4 rings, which is huge for me—to dare to answer the phone without knowing who is there. Eventually, some of my loved ones did reach out, and I want to thank Kerry, Sissypuss, Diane, Terry, and Kate for calling or e-mailing during the freshness and rawness of that first awful week.

***
A week after the Events, Rob Morse wrote in the Chronicle,

Last week we were slammed over and over again with the most horrendous reality TV of all time. Then the electronic media decided to censor anything that could conceivably trigger memories of the violence they had broadcast.

Some radio stations were dropping any song that referred to airplanes, plus REM’s “It’s the End of the World as We Know It.” But besides the contradiction Rob Morse pointed out, protecting us from reminders is a hopeless cause. Most popular songs are about love or loss, so there’s no way to avoid thinking about our own vulnerability. Just being alive is a reminder.

With predictable timing, the pundits began telling us to try to get back to normal. For once, they were right. I felt palpably relieved whenever I turned off the TV and stepped outside to breathe the fragrant, cool air, or when I listened to the blue jay splashing away in the bird bath on the patio. It was good to be reminded of the natural world. Laughing with a friend on the phone eased my heart and soothed my nerves. Going out to dinner at the Lark Creek Inn to celebrate a friend’s birthday felt alternately like a relief and a guilty pleasure. After we ordered dinner, the waitress informed us that there were candles out front in case we wanted to go outside for the national moment of silence at 7 p.m. We didn’t. We had had our fill—one friend had already sung two “Amazing Grace”s and had two moments of silence at the school where she works. It seemed more important right then to be sitting at a table together, waiting for our petrale sole and our heirloom tomato salad and our butterscotch pudding to arrive, talking of little things and big Events and laughing when we could.

My goddaughter Kelly, age 25, was having dinner with us. I told her I might not be writing the ‘zine anymore. She said I couldn’t stop now. Why? “Because you haven’t written about me yet!” So I teased her that I was going to dig up some embarrassing stories from her childhood. She mentioned the time she peed in my bed, which I don’t even remember. But Peggy said to her, “No, she’s going to write about your saying you want her to write about you.” The woman knows me, I must say.

This year I’ve been struck by the fact that Kelly is the same age I was when I met Peggy 30 years ago. Let’s have a moment of eerie silence to contemplate that horrific number. (“Eerie silence” and “horrific” were the terms we decided we were most tired of hearing in the wake of the Events.) Even though my political agenda back then was quite different from hers (she’s an ardent environmentalist, health-foodist, bike rider), I feel the connection of having been, like her, an idealistic young person with a desire to create change.

But what’s also fascinating to me, beyond seeing the similarities and differences between our life paths, is that contemplating her young life puts my middle-age-hood in perspective. It’s interesting to see some of the ancient truisms coming, in fact, true—such as the one that says the older you get, the more you realize you don’t know. That’s not as frightening as it may sound. It even makes life more interesting and less depressing—there is more to learn, more windows of opportunity, more ports in a storm, more facets of every diamond in the rough, more complexity and more grace. More ability to change, rather than less, which is what I used to think. So to all those who fear growing older—you won’t know the benefits until you get here.

***
In the newspaper the other day, there was a photograph of Ukrainian Americans in Golden Gate Park celebrating the 10th anniversary of Ukrainian independence. One of the women in the photograph leaped out at me. (Not literally—I have not completely lost touch with reality.) Sturdy and rather grim-(or determined-)looking, as if she’d seen it all and then some, she reminded me of my Danish peasant grandmother. Wrapped in a warm coat, her purse on her lap, she held a small American flag. And in that moment I got it about the flag. How it’s the immigrants from poor or war-torn countries who carry the American dream forward, who claim the flag as their own, who consecrate it rather than embarrass it. She wasn’t holding a symbol of world power or hegemony, she was holding a symbol of freedom and all the other American ideals that seem so false and fragile at times. I was humbled by this. In my youth, it was easy to disavow this symbol of America’s hypocrisy. But this woman wasn’t holding the same flag that’s waved by the patriotic jerks who want to bomb a country of innocents into the Stone Age. In her hands, it meant something good and true.

I cut out the picture of this woman and taped it to the side of my computer. At first, I thought I may have to take it down, because the wrenching of my heart every time I looked at it was hard to take. The picture gave me something important, something I valued, but the brain (enjoyer of certainty and habit) fights any attempt of the heart to be open, to let love and suffering coexist in a contradiction that will always be linked.

Soon the picture became part of my desktop landscape, and I had to strain to reexperience what had felt like “too much” only days before. This is the other part of the contradiction: the love, the suffering… and the ability to move on. Thomas Friedman, who has written extensively about the Middle East, said on NPR’s “Fresh Air” that people who live with terrorism every day are either survivors or thrivers. The survivors are consumed by fear; the thrivers are appropriately careful, but they don’t let fear rule their lives. He wished for us all to be thrivers.

One of my friends flew back East 5 days after the Events. Another friend doesn’t want to fly again until she knows what’s going to happen. I wonder if we will ever “know what’s going to happen.” One thing I have not felt much during this topsy-turvy time is fear. It could be the Zoloft working its magic, or it could be the enormity of the Events, the vagueness of the threat, and the pointlessness of being afraid. It seems likely that the terrorists who are still out there won’t target the airlines again—we’ve already rushed to close that barn door after the horse was gone. For all we know, having made their symbolic statement about American finance and military might, they will start planting bombs in random small towns and cities throughout the country—San Rafael, Boulder, Taos, Ashfield—but it’s all too amorphous. Why not just go ahead and worry about Death and be done with it? For me, at least, the Events have not so much struck terror in me (though I could still be in the shock stage) as they have made me realize it’s pointless to fear the unpredictable and the unexpected—which is to say, Life itself. I could die on a hijacked airplane or be hit by a bus or get crushed in the next earthquake. Speaking of which, to quote myself, “They say there’s a 60% chance of earthquake. Well, there’s a 100% chance of death.” Who are we trying to kid?

***
Overall, I’d have to say that during these last weeks, thanks to the Zoloft, I have been more forgiving of myself than I would have been in the past. I have mostly allowed myself to experience whatever life brings me: the sweetness of the only cartoon in this week’s New Yorker (a violinist with her head bowed, stopping the music, and her cat covering its eyes), the sadness even when it does not bring tears, the irritability when it does not achieve righteous anger, the hardening and softening of my heart in seemingly alternating pulses, the occasional fear, the love, the lack of fear, the lack of love, the political confusion, the selfishness, the compassion. I think I have never before felt so much a part of humanity. I don’t want to give up that feeling—that sane connection with reality—but I don’t know if I can stand it. Sometimes it is just too heartbreaking to be alive, and to feel so much.

***
Almost last, but certainly not least, Diane sent a group of us the following poem. My first thought when I saw it was, “I don’t want a goddamn poem.” I was already up to here with beautiful expressions of loss, love, and gratitude. But the poem is exceptional, and so I share it here.

Thanks

Listen
with the night falling we are saying thank you
we are stopping on the bridge to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water looking out
in different directions

back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
in a culture up to its chin in shame
living in the stench it has chosen we are saying thank you

over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the back door
and the beatings on stairs we are saying thank you
in the banks that use us we are saying thank you
with the crooks in office with the rich and fashionable
unchanged we go on saying thank you thank you

with all the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us like the earth
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

—W.S. Merwin

from The Rain in the Trees, copyright© 1998 by W.S. Merwin.

***
And now—I don’t know about you, but I need a freakin’ break. So here is a guest contributor to take our minds off our own species’ troubles.

my life with mare—a work in progress
by pookie (poet manqué)

so i live with this human… they call her mare like a horse haha…. ive been studyin her for about 14 years now… observin her closely takin copious mental notes. i do my surveillance with eyes half closed so she thinks im sleepin but im always on the job.

mary is remarkably unselfconscious in front of me which tells me she has no clue as to my true mental capacity. i play the dumb kitty cat pretty good if i do say so myself. she doesnt even check for my whereabouts when she gets out her magic wand. i have to say, thats kind of insultin, i mean what am i, chopped liver/she thinks i can sleep through that racket/well someone has to maintain the proper boundaries around here so i quietly leave the room and find somethin to do downstairs like visit the litter box… though i usually like to save that for mealtimes, just to get her goat….

i used to enjoy a little self-diddlin myself; she had this fuzzy lavender blanket that i just loved; but as soon as i got my paws on it and got my mojo workin, shed grab it away. but those days are long gone and not even kitty viagra would help me now.

its hell to get old.

i have to admit that not that much happens to me. its a big day if she lets me go out on the patio to lie on the sticker plants. i dont much care for the sticker removal process but its so nice to get a whiff of fresh air that isnt comin from a window three feet above my head. lots of interestin smells out there. i try to hide in the honeysuckle vines, hopin shell forget im there but she never does. ive been studyin the fence, which has a possible way out if i could dig deep enough… but im not gettin any younger….

ok heres the big confession. i was abused as a kitten. i know its very trendy to talk about those things now, but i had to get it off my chest. this horrible man used to throw things at me and even throw me when he could catch me. it was pretty brutal but it was the only life i knew. then mare took me in when no one else would have me and for that im grateful. but there was that time she almost let me die of a bladder infection. for once i wished i could speak cuz she sure wasnt gettin the first clue about how much pain i was in. i have to admit since then her attitude has changed for the better… she pets me a lot more and talks to me in that high, funny voice they all have when they like us, and i gotta admit it feels pretty good.

sorry i was so cranky last time i wrote. thats what happens when you dont get your tuna-flavored laxative when you want it. i gotta admit the spoken vocabulary of my species leaves much to be desired… meow… mew… erkk… there just isnt a lot of range when youre askin for somethin specific. she has this cartoon of a cat lyin on a shrinks couch and hes sayin to the shrink im startin to feel dependent and boy can i relate to that.

anyway i came into her life when i was a tough young tomcat with a chip on my shoulder and a few problems with anxiety and depression… from the kittenhood abuse of course. when i was just startin to get the hang of the new place and still had the strength to jump up on the dinin room table and the washin machine and actually look out the freakin window she brought in a little girl cat that she called tweeter and i called ms priss… oy gevalt… i think mare thought she was doin me a favor but what favor thats what i want to know. ms priss was a connivin little thing actin all sweet to mares face but talkin mighty catty behind her back… meow… she even played this stupid game fetchin little wadded up pieces of paper that mare would throw and then bringin em back and droppin em at her feet lookin up at her all cutesy gag me with a spoon. i tried to get on mares good side by runnin after corks but i was too proud to bring em back so little ms priss got all the best seats in the house like the bed and that damn lavender blanket. i used to pounce on her when she walked by… ms priss that is… what a brainless girly girl she was shed squeal and mare would come runnin.

since ms priss went away life has been pretty uneventful. i eat sleep beg for treats lie on cardboard sometimes walk back and forth between mares legs when shes workin on the computer which is pretty much all the time unless shes stretched out like a corpse on the bed. it’s not a bad life all in all.

well i guess id better skedaddle. til next time yrs truly
p

p.s. good luck people, god bless humanity and all creatures great and small

[Mary McKenney]

mary’zine random redux: #10 January 2001

March 18, 2009

With this issue, I boldly go where I never thought I could go before—into the XXX Zone. I have a hard time talking about sex. I have never used the word “masturbation” in 8 years of therapy. I’m no Betty Dodson or Suzie Bright. But this ‘zine is my place to explore, and you are the lucky recipients of my intrepid findings.

Those who do not wish to enter the XXX Zone may proceed directly to Story #2, which is considerably more decorous and in which the word “nipple” does not appear even once. Ha! I dare you to skip over it now.

mary’s first porno

As I sit here at the computer, wondering where to start, I ponder the title of this story for a while, and it occurs to me that I have unconsciously made an association between sexuality and childhood—Mary’s first steps, Mary’s first word, Mary’s first porno—and I suppose that is accurate after all. Before you get too scandalized, let me just state that I’m referring to watching a porno, not starring in one (…as if…).

I had my first sexual experiences at the age of 10, at the hands of my older cousin John. It’s hard to put myself back in that time and understand why I couldn’t refuse, why I couldn’t tell anyone. But like many other things that had happened to me, this unwanted attention was like a fact of life, like a death or an illness. It wasn’t something I chose, and therefore I had no choice.

Something was awakened in me by those encounters in the woods, the basement, and our “fort” on the sand hill, but not in the sense of the handsome prince awakening the beautiful princess with a kiss. It was an awakening of fear, guilt, shame, and pleasurable physical sensation in a mixture that was most confusing. The way I found to deal with the confusion was to try to separate the pleasure from the rest of it—or to own my own body, if you want to get feministic about it.

This new awareness of my lower body morphed into inspired masturbation under the very noses of my grade school classmates and teachers. The large institutional swing set at Grant School had fine, sturdy poles, up which I climbed like the boys—humping my way slowly and deliciously to the top, then sliding down after climax—instead of the dainty swinging back and forth on the underside of the pole that the girls were supposed to do, all work and no play whatsoever. The bell to end recess would ring, the other kids would go running, and Miss Magnuson, the second grade teacher, would call up to me from the ground, “Come now, Mary!” And so I did.

When the swing set was no longer a viable option—“When I was a child, I humped like a child, but when I became a woman, I put away childish things”—it took me years to realize that there were other means to accomplish the same end and even books to help you do it. When it comes to erotic materials, I have always been more a fan of the written word than the visual image. I have had little enough exposure even to the written word (I mean, those written words). My first awareness of pornography was finding my father’s hidden copy of Nudist Holiday when I was 10 or 11. I can’t imagine why my mother let him keep it—my father lost all property rights after he got sick with MS—unless—oh, horrors—it was hers. The book was pretty soft-core. I remember the bobbing breasts of the ubiquitous volleyball players—do real nudists love this sport above all others, or is that a smutty-book and movie cliché?—but I don’t remember any big swinging members or anything that truly shocked me.

Recently I had cause to contact a woman-friendly sex appliance store in San Francisco called Good Vibrations. I found it on the Web when I was forced to replace my Hitachi Magic Wand after the cord became frayed and started emitting little sparks. An ex-girlfriend had given it to me some 13 years before, so you know it was ready for the scrap heap. Whenever I succumbed to an onanistic session—staring death by electrocution in the face—I imagined the humiliation of being found dead in my bed days later with the foot-long accidental-suicide weapon in one hand and Nancy Friday’s My Secret Garden in the other. I could only hope that my spirit would be long gone by then and wouldn’t still be hanging around the ceiling looking down on the body, watching its surprised friends and family get an eyeful. At least I don’t indulge in any really strange practices, like autoasphyxiation or dressing up in women’s clothes.

When the Wand arrived (I wonder if the Hitachi Corp. really thinks people are using this thing to massage their backs and shoulders?), I looked through the catalog that came with it and noticed that they also sell videos. I figured it was time to satisfy my curiosity about—oh, one thing and another—so I pored over the descriptions and finally settled on a bisexual video called “Curious?”:

Two attractive same-sex couples living under the same roof wonder what it would be like to succumb to their curiosity and swap partners. Enjoy steamy gay and lesbian sex, a woman learning blowjob techniques from a gay man, and a not-to-be-missed four-way in which one of the men becomes the center of everyone’s attention.

I thought, naively, that a video featuring gay men and lesbians would be kinder and gentler, more wholesome somehow, than your usual porno. Obviously, I didn’t think this through. For one thing, it doesn’t get more down-and-dirty than two guys getting it on (despite the fruity-fairy stereotypes), and I had forgotten that pornos showing women together are made to satisfy the fantasies of straight men, not your Birkenstock-wearin’ middle-aged wimmin-lovin’ wimmin. One of the women in this video was named Candy Apples, which should have been my first clue. For viewers with no imagination, the two parts of her name were tattooed on her chest, one above each… apple.

Now that I think of it, I’m not even sure who would want to watch this mishmash of gay, lesbian, and straight sex. Gay men and straight women wouldn’t be interested in the bulbously breasted women, and straight men and lesbians wouldn’t care to see the Long Dong Silvered men… leaving, I supposed, the true bisexuals and those, like me, who are indeed curious or just confused.

So why did I select the bisexual video? I am quite ambidextrous in my sexual response—it’s only emotionally that I walk the gay and narrow—so I admit I was interested in seeing some “towering columns of stiff male meat,” as the women in Nancy Friday’s books like to say. I mean, I’ve experienced my share of said columns, but it’s been awhile. Not everyone knows this, but I’ve been around the block with several penii. In the days before I knew that women were an option, I fooled around a fair bit with the boys but never found one who could begin to intrigue or attract me intellectually or emotionally the way legions, scores, and oodles of women have in my life. Talk about your Mars and Venus. I’m a same-planet girl.

***
[Hetero sidebar] In my 20s, I was naïve enough to believe in the so-called sexual revolution, so when I was first seeing P, I also got involved with two married male librarians. And an unmarried one, if you count my boss, the library director, who got me drunk one night and tried to seduce me, insisting that he knew “gay ways of making love.” He later fired me, but we didn’t know about sexual harassment back then. One of my fondest hetero memories (ah, I am a real woman, after all) was the night the two married men faced off like two stags in the log cabin I was living in. C drove me home after an after-hours rendezvous in the library, and J followed us from town and burst through the door in a jealous rage. I’m glad handguns weren’t readily available back then (at least to librarians). I just sat there, the helpless damsel, in my gay-liberation-button-festooned army shirt, flabbergasted and pleased at this rare display of machismo on my behalf. (No, I can’t explain why I was messing around with these guys. It was the “sixties”; we were insane.)

At the ripe old age of 40, I became temporarily enamored of an older man—a VIP in the Krishnamurti crowd in Ojai, Calif. My 12-year relationship with P had ended, and I guess I figured it was time to sow some wild oats. I didn’t realize right away that what I was enamored of was feeling “normal” out in the world. I loved being seen with a man, going to restaurants with him, walking down the street. It was like suddenly being admitted to an exclusive club. Was I imagining that I was treated entirely differently, that I was receiving the respect and nonchalant approval I had never felt as a dyke? It was a heady experience, to say the least. It almost seemed worth it to “switch,” even though this man turned out to be emotionally cruel and very conflicted about women. Also, he’d had a lifelong problem with impotence—I mean, not occasionally, but completely. I don’t think he had ever really “done it.” I figured this was fate’s way of confirming that I wasn’t meant to go down that path.

***
Back to the porno. As soon as the video arrived, I rushed to put it in the VCR. Frankly, I was stunned, right from the beginning. The video started out with several minutes of ads for male/male 900 numbers and lurid close-ups of men’s frontal and rearal anatomies. I still had hopes that the “story” would provide more titillation—was it too much to hope for a little subtlety, a little eroticism?—and less of an anatomy lesson.

I hadn’t really expected the acting to be any good, but I was frankly astounded to see how bad and insincere it was. They stumbled their way woodenly through the dialogue necessary to move the two guys from the top of the washing machine and the two girls from the bathtub into the joint living space where they could satisfy their “curiosity” about the mysteries of hetero love. But what shocked me was that they couldn’t even act the sex very well. They didn’t seem to be feeling anything. I’m not talking about emotionally, but sexually. The guys wore stoic (or bored) faces—presumably, they were thinking about dead puppies or stock quotes in order to keep going—and had very little dialogue, but “Yeah baby, get your lipstick all over that baby” was a mood killer for sure.

And the women were so obviously faking it, it wasn’t even funny. I mean, it was funny. It was as if they started with a crashing orgasm and then just kept it going and going—move over, Energizer bunny. But since their enthusiasm was not even slightly credible, there was nowhere for it to go. You had to wonder if they were feeling anything at all, or if they had become completely desensitized by the constant manipulation of their parts and their faked over-the-top reactions. There was absolutely nothing sexy about these women, who are supposedly the ultimate sex objects, the ones stamped and approved by scores of porno-loving men. I really had to wonder, What kind of lesbian am I? I love women’s bodies! I find them endlessly fascinating and smooth and curvy and juicy. But if the women in the video were giving and receiving any pleasure whatsoever, you could have fooled me. And it wasn’t just the “lesbian” scenes—the women in the hetero bits acted exactly the same—all over-the-top fakiness.

So if the women were laughable with their feigned horniness, the men were a turnoff because of too much information—testicles hanging out of a guy’s pants like elephant ears; a beer-can-sized penis inserting itself quiveringly into a puckering a-hole. I suppose the organs erecti were impressive enough, but somehow the microscopic detail and the zealous slurping and handling—not to mention 5 solid minutes of the same camera angle—made the action seem about as sexy as bobbing for rubber wieners.

I’m not saying I want the soft romantic lighting, the thin white curtain stirring in the breeze, a bird flying high in the sky to represent the “culmination of the act.” I’m not a prude. But for me, the visuals are just not stimulating—whereas the words—the lick, the flick, the nipple and the clit—ahh. Give me something to dream on. Are you with me, dear reader?

Now that I’ve seen “Curious?,” I no longer am—curious, that is, And I’m more in the dark than ever about who would want to see extreme close-ups of men licking each other’s anuses and gigantic-fakily-breasted women moaning over each other’s shaved mounds—not to mention switcheroos in the middle of the action, so that the women are licking the… and the men are moaning over the….

And I can’t get those images out of my head. You know how they say that if you ever see how sausage is made, you’ll never eat it again? Well, that’s how I feel… not only about the sausage but about the biscuits, if you know what I mean. Oh, and the gravy—especially the gravy. It’s as if someone waved the Magic Wand and worked its magic in reverse. The fairy dust has disappeared, and my Hitachi is once more a mundane reliever of muscle tension, not a means of self-pleasure and delightful fantasy. I cry for my lost innocence.

And now, for something completely different…

just one

For some reason, I like to take myself out to lunch or dinner after a therapy or dreamwork session. (“Take myself out” is such a quaint, romantic concept—as if I’m also going to bring myself a corsage, come around to open my car door, and kiss myself sweetly at the end of the evening.) (Given what you have just read, this might not seem so far-fetched.) It’s as if the inner work and the relationship with J or J* make me want to open to the world, or as if I’m already open and there’s nothing for it but to go out among the human, letting myself seep into their consciousness and take them into mine.

On this particular day, I’ve had a wonderful time with J*, batting back and forth the dream images I’ve offered him out of the dozens I’ve written down since I saw him last. He does most of the batting, hitting multiple home runs. (Though if we’re “batting them back and forth,” I suppose a badminton metaphor would be more appropriate here…. Oh, never mind.) He modestly calls himself a “master of the obvious,” but if so, then it’s clear that pointing out the obvious to those who would otherwise never notice it is a particular form of genius.

Both J* and his wife have become avid readers of the ‘zine, so that adds another dimension to the relationship. They are so enthusiastic, in fact, that I feel myself turning red, wanting to disavow their praise like too-rich chocolate. I ache to hear it and yet it is a bit hard to swallow. I reflexively want to turn their words away at the door, like beautifully dressed partygoers who must have the wrong house. I imagine it’s like being praised for the sweetness of intelligence of your child—you blush to be receiving all this credit for something you’re not sure you’re responsible for, but you also marvel, “So—is that how my little one is received out in the world? Honey, I barely know ye!”

It’s 5:00 when I leave the house on Pleasant Lane—aptly named, because the street feels like a veritable boulevard of pleasantness as I walk to my car, full of feeling and torn between wanting to share it and keep it all to myself. This is where the bustling café comes in—a place where I can sit with a glass of wine and a small pizza or dish of pasta and dream over the insights of the past hour and a half—but at the same time feel the pulse of connection with the world.

I decide on Il Fornaio. It’s still early, so there should be plenty of room for my party of just-one, and it’s a relatively benign environment in which to experience that peculiar luxury-slash-torture which is dining out alone.

Despite my glow from the session, I feel as false and brittle as a mannequin walking down the row of tables behind the beautiful hostess, all the eyes of the other diners seemingly on me instead of on her deserving countenance. She first tries to seat me at the table right opposite the kitchen door, but I’ve been stuck there before. When you dine out alone, you learn to be suspicious of the host’s first choice of seating. I’m there to have a sensory experience in a refined atmosphere, and the comings and goings of the waiters in all their raucous camaraderie through a constantly swinging door are not part of my plan. Instead, I successfully negotiate for a table a little farther along, where I can keep my back to the help and pretend that I am far, far above the mechanics of dinner delivery.

Throughout the perusing of the menu, the ordering of the wine and salad and pizza margherita—grateful to the Italian waiter for instantly seeing them I am a Madame and not a Sir—I feel like a new immigrant to these shores who has only learned to say one phrase, “Thank you.” The thank yous necessary when dining out alone add up to a veritable chorus of gratitude. And because you’re not conversing with another person in between, all you hear yourself say all night long is thank you, thank you, thank you—for the table, the menu, the placing of the order, the bringing of every little thing, the taking away, the bill—as if riches are being bestowed upon you in exchange for your gracious presence rather than $37.48.

When I’m alone in a restaurant, I take self-consciousness to dizzying heights. My self inflates to take up the entire, vaulted dining room—crouching at the high ceiling, pushing against the windows, seeping under the doors, seeming to need a larger venue, the Oakland Coliseum, perhaps, to contain it. It is impossible to believe—as I know must be true—that all eyes are not on me, that judgmental glances are not taking in the falsity of my nonchalance and the obvious pose of bringing along a book to populate the tabletop. It’s a good book, actually—Writing Past Dark: Envy, Fear, Distraction, and Other Dilemmas in the Writer’s Life—but who can concentrate on written words when the outsized dimensions of the fearful ego are expanding to fill the vacuum that Nature and solitary diners abhor.

Thank God for the vino. I have nervously drunk almost the whole glass while waiting for my food, and the nice waiter asks if I want a second one with my meal—sparing me the humiliation of craning my neck in obvious alcoholic dependency as I wave down any passing busboy for more liquid courage.

The salad, when it comes, helps to focus my attention a bit, but then there’s the problem of how to hold the book in one hand and navigate the slippery pieces of lettuce and shaved parmesan with the other.

Slowly, slowly, I begin to deflate back to a manageable size. It’s probably the wine, but also, I’ve decided I want to write about this experience, this spiritual practice of sitting quietly in full public view, a “single,” a “just one?” among the paired and partying humans. The writer’s detachment comes in handy sometimes. No social experience is so awkward that it can’t be turned into a good story.

My neck and shoulders begin to loosen a bit, and I dare to take my eyes off my book and look around the room. I’m not interested in the couples or the parties of four (two couples—twice as uninteresting). Pairing is such good camouflage—allowing one to direct all the bonhomie and cheerful chatter at one’s disposal to a safe face sitting opposite, knowing that you have nothing to prove, you are accompanied by your own raison d’être. You each have an other, one who consented to be in your presence for the course of a meal. I’m not knocking it—I prefer eating with a friend, too, and basking in the companionship and the security of bringing along a flesh-and-blood person, nothing so obviously forced as a book.

My attention wanders farther and farther afield. I am really getting bold now. I look over to my right, and I see a young woman sitting alone at a table set for 10. Logically, she must feel 10 times as self-conscious as I do, because all sorts of questions are raised by her being there, surrounded by what seem like 20 wine glasses and a flurry of little plates. She must be waiting for the rest of her party, no? But it looks like some of the glasses have a little wine left in them, as if the party has long since disbanded and she’s frozen there in front of a half-drunk bottle of red, sipping from her glass and twisting a napkin in her lap.

At first I refuse to believe that she is anything but right in her element. She’s attractive, with shoulder-length dark hair, wearing a pretty dress; no one would ever mistake her for a Sir. She probably dines here every night—knows the owner—is married to the owner—is the owner.  But I’m intrigued by the ambiguity of the table settings. Is she coming or going? I’m sitting slightly behind and to her left, so I can gaze at her without being seen (thus confirming my own paranoia—who’s sitting just out of range watching me?).

After several minutes of idly pondering her situation, wondering if her inflated, insecure self is bobbing up at the ceiling along with mine, if she is silently praying for someone else to show up so she doesn’t have to sustain the curious looks from all the safely paired diners—or even those singles who were smart enough to bring a book—I realize that her hands that were twisting the napkin are now rubbing her thighs and making little gestures as if she’s talking to someone. Then I realize her lips are moving! Not animatedly, not like an out-and-out crazy person, but quietly. If I pretend that the rest of the table is populated with her nine companions, it looks like she’s having a conversation with someone across from her. Is she practicing a speech? Is she planning to break up with her boyfriend (under cover of a crowd) or confront a coworker? Or is she out-and-out crazy after all, having called in a reservation for 10 but with only her and nine imaginary friends to fill the chairs?

The waiter comes by and refills the woman’s glass, which she sips at nervously. Or excitedly. How can I know? I don’t. Maybe she’s as self-conscious as I am, or maybe she’s caught up in her own world. Maybe this is the happiest night of her life, and the celebration is about to begin. Or maybe I’m way off, maybe I could never imagine what’s going on with her. It’s as if I’m seeing the mechanics of projection laid bare—as if I can only “put myself in her place” (see her as my twin) or imagine her as my glamorous opposite. In both cases, I am setting myself as the standard, the known, the norm. Maybe we can never see one another true but must always supply the tint, the blush, the coloring from our own bag of makeup. I can’t believe I’m using makeup as a metaphor.

So I can’t size her up, but something about this reassures me. Maybe I’m not so transparent after all. Perhaps, like her, I am obvious only to myself. Obvious because I’m posing as a person of ease—an ugly duckling yearning to be perceived as a cool, gliding swan—like her. Yet as mysterious, in my own way, as any attractive stranger in a pretty dress. I don’t know her story, but if she had been watching me, would she have known mine?

Posing, always posing. Pretending to be OK when we’re not. Even pretending to be OK when we are! Now there’s a pose for you. I was perfectly OK that night—better than OK—but I insisted on feeling like a sore thumb—the girl from the sticks all growed up and just barely learned how to use a fork—the dyke in the telltale haircut—instead of… well, whoever I really am. The simplest lesson—free to be, you and me—seems to be the hardest to learn.

Too much thinking on a full stomach.

When it’s time to leave, I bid a silent farewell to my mysterious counterpart, realizing that I am just one of the multitudes of mysterious, obvious humans—obvious in our pretense sometimes, but mysterious at our core. Saying my last round of thank yous to the tactful waiter and the beautiful hostess, I glide out the door, swanlike, into the dark solitary night, back to my private self.

pookie’s christmas

Pookie is almost impossible to buy for. He turns up his nose at all manufactured “cat toys,” with their trying-too-hard-to-be-fun jingly bells and stale catnip. What does he care if the thing is in the shape of a mouse? It’s not a mouse. A real live spider at least has authenticity.

Pookie can be happy with a piece of cardboard large enough to hold his enormous sprawling self or, better yet, a box, with sides to contain him. Nothing, apparently, makes him feel more secure than a cardboard floor and four little cardboard walls. He is a founding member of the Simple Living movement. Often, I’ll have boxes lying around my office that are way too small for him—like an 8-1/2 x 11 stationery box—but he snuggles in anyway, with his furry flab hanging over all the sides, forcing himself to fit like Cinderella’s stepsister jamming her foot into the glass slipper. But cardboard boxes tend to come serendipitously, you don’t just go out and buy one. Besides, they take up a lot of room. A cute little toy mouse with a jingly bell at least ends up behind the couch, out of sight, out of mind. But a box big enough to hold Pookie is a piece of furniture in itself.

He also used to like chasing wine corks. I would see him crouching behind a chair in the living room, signaling his readiness, and I would throw the cork halfway up the stairs. He would run for it, batting it all the way back down, or—nine times out of ten—knocking it under the stairs, where I would have to crouch down to retrieve it, giving him the perfect opportunity to take a swat at my head from above. I’ve always suspected that that was the real point of the game. But he mysteriously lost interest in cork chasing after his male-to-whatever operation last spring. Better for me and my back, though. And I no longer have to extract stray corks from the vacuum cleaner hose.

Pookie also likes to lick plastic ribbon and lie on tissue paper. After my birthday and Christmas, I used to leave the wrappings on the floor for a few days, for him to pounce on like piles of leaves. But I have banned tissue paper from the house since the time he puked on some orange paper, and the dye stained the light gray carpet right in the middle of the floor. I now have a small round rug covering the evidence, but it’s like Poe’s telltale heart beating under the floorboards, I know it’s there.

I discovered the perfect gift for Pookie when I had to take him to see Dr. Bill because he was drooling. (Pookie, not Dr. Bill.) We never found out why he was drooling, but I had to pay the $54 anyway. And then the drooling stopped. A ruse, apparently, to get inside the doctor’s office and score himself some… tuna-flavored hairball laxative. The stuff comes in a tube, oozing out all brown and shiny, and is licked off the human finger. My human finger. I have to wash and wash my hands afterward like Lady Macbeth. After he’d gotten his first taste, he was after me 24-7 to get more. He lops off a big glob and then has to keep licking and licking the inside of his mouth, trying to get it all down. I entertain myself with the cruel thought, “Got milk?”

When T was staying with me during the painting intensive in December, Pookie would go begging to her for the tuna laxative, too. One day, I heard her talking to him in the next room. “I can’t give you laxative,” she said sweetly, “but I can give you love.”

And that’s what Pookie got for Christmas. Love and laxative, and plenty of it.

[Mary McKenney]

mary’zine random redux: #2 March 2000

March 16, 2009

Thank you for joining me again here in Mary-land. (Remind me to tell you about the time I worked at St. Mary’s College in St. Mary’s City, Maryland. It was quite an inflating experience, and not just because of the name recognition factor.) The response to mary’zine #1 was so gratifying that I was, of course, terrified when I realized I would have to do it again. Writers are never happy, because either they (a) don’t get the kudos they deserve or (b) get the kudos they deserve and then worry that they won’t live up to their first (accidental, fluky, one-time-only, never-to-be-repeated) success.

But putting out a ‘zine—really a glorified letter to a few friends—is doing something for me that I didn’t expect. We’re all taught that writing is torture: 10% inspiration, 90% perspiration. Traditionally, you force yourself to get up and go to your desk at some ungodly hour before the children (or cats) wake up, every day writing those morning pages whether you want to or not. Writing is usually presented as an onerous chore, and the writing that results is usually onerous, too. I’ve become more interested in finding my natural way and my natural voice—no more tortured attempts at literary descriptions of the landscape or the weather, no sad fictions about a lonely young girl in northern Michigan. Writing is fun when you surrender to who you really are—not the next Dostoyevsky, not the next Anne Lamott, but whoever you are, which you discover through the doing of it. You painters will know what I’m talking about.

I’ve also discovered that I don’t have to follow the other standard writerly advice, which is to write full out without editing, without stopping the “flow.” Since my greatest joy by far is in the editing, I’ve always hated that advice. For me, spewing a lot of unconsidered words on the page just means that I come back to a mess later and have to start over. Archaeologists don’t use a bulldozer to dig up big plots of land and then claw through the dirt looking for artifacts. They sift carefully, brushing the earth away from small chips, keeping a running account of what they’re finding and how it all fits together. Maybe those are the two extremes. The point is that we all have our own way to dig for our treasures. I was gratified to hear Fran Lebowitz say in an interview, “Writing is editing.” But she also thinks writing isn’t fun, so I’m trying to take her philosophy without the tortured spirit. Writing is editing is fun.

Let me also say for the record that I hate the ubiquitous writing exercises. “Write for 5 minutes about your grandmother’s shoulders.” I don’t even remember my grandmother, let alone her shoulders. I know these exercises are supposed to loosen you up, but I can’t bring myself to write pointlessly on random topics. And you can’t make me.

So for the past month I’ve been having a great time, writing over morning coffee or in the evenings after my paid work is done. (If you’re just joining us, I’m a self-employed scientific editor.) Some of the stories I’ve started to write are very personal—about my mother, my childhood traumas, my total isolation as a teenager. But I’m grappling with how to approach these stories, how to make them less ponderous than they felt when they were happening—how to inform the past with my present perspective.

My therapist, J, says I need to establish a relationship with my audience first. I already have a relationship with most of you, but you may still not be ready to hear about my mother finding my “sex” diary, or my phobia about throwing up in junior high, or about the alcoholism, illness, and death that dominated my early years. (I can hear you clamoring now: “Oh please, please, tell us about the alcoholism, illness, and death that dominated your early years!”) Anyway, I’m sorting these questions out and pondering such things as how to maintain the privacy of people I want to write about who aren’t dead yet.

A case in point—the above-mentioned J. She’s very supportive of this ‘zine but is afraid I’m going to write about her. At least that’s how I interpreted her saying, “I’ll have to be careful of what I say from now on.” I had referred to one of my stories as “the story about my mother,” and she said, “All your stories are about your mother,” and we both cracked up, it was so true. So I threatened to quote her in the masthead or something. Anyway, I assured her that I’m not going to write about her. (This doesn’t count, does it?) But I think there’s an old saying, “All’s fair in writing and war.” So check out mary’zine #3 for a story that encompasses J, my mother, a sweet tooth or two, and an essay contest in search of a queen.

animal lover

I’m not a vegetarian, far from it; I’m one of those classic meat-eaters who don’t want to think about where their food is really coming from. A few years ago, one of my work projects was editing a training manual for the care and use (as they put it) of laboratory animals. The first picture I saw of a rabbit being restrained, I thought I was going to throw up. And that was just a drawing! I told myself (Official Justification) I may be helping animals by making sure that scientists who work with them follow correct procedures and know how to keep them from experiencing too much pain. Still, the argument felt a little hollow even to me.

So I’m working on the manual one day, and at the same time I’m thinking about my poor cat Tweeter, whose malignant tumor has come back after being cut out a year ago, and I’m planning my dinner, Uncle Hugo’s Garlic Chicken, and I’m wondering, what is our “right relationship” to animals anyway? Who are we to each other? And especially, what is our responsibility to them? “I love cats” and “I love chicken” aren’t equivalent statements. As I’m sitting there, I notice that there’s something crawling around inside my desk lamp, which is made out of a large wine bottle I acquired back in the ‘70s. It has a lamp fixture stuck in the top with a cork, and I haven’t taken it off in 20 years, and there’s no way for a spider to have gotten in there, but there it is, crawling up to the cork and then back down, over and over again.

I don’t know if it’s the convergence of all those animal thoughts, or the idea that this is something I can do something about, but now, all I can think of is rescuing that spider. So I take the lamp thing off the bottle and take the bottle out on the patio, but some big parts of the cork have fallen down inside the bottle, so I can’t shake the spider out because it will get creamed by a flying piece of cork, and besides, there’s a hollow section of cork still in the bottleneck that the spider refuses to climb over. So I’ve got the bottle at an angle, trying to encourage it to leave, but strangely, it will only crawl toward the opening when I hold the bottle straight up. So I’m talking to it, urging it on, trying to trick it by holding the bottle up and then quickly putting the opening down by the ground so it will get a whiff of nature or something, but no. So I go back in the house and cut the cork out of the bottleneck, bring the bottle back outside, prop it on a rock so the opening is pointing downward, and then finally, finally, the spider manages to crawl through all the cork rubble and out the top, and I make sure it lands on the soil not the concrete, and I go back in the house and go back to reading about animals in cages, and feel sad for my poor cat, and think about how good my chicken dinner is going to taste.

THE POOKIE CHRONICLES

the great Pookie

judgment day

I live in my own little world, as most of you will not be surprised to hear. It’s a small kingdom—queendom—with only one subject, Pookie, a cat the shape and color of a 14-pound meatloaf. I took Pookie in sight unseen more than 12 years ago. I was supposedly rescuing him from a friend’s abusive neighbor—or at least that’s what the friend who wanted to get rid of him when she moved told me.

It’s good that the population of this sovereign domain is small, because the queen and her subject are both getting larger by the year, and the castle is condo-sized.

I used to have a little gray striped cat, Tweeter, who was the joy of my life until she died tragically young of a tumor. Tweeter was cheerfully oblivious of just about everything, including me—unless I was lying in bed, and then she would curl up in my arms, round and round, like a clock winding itself. I’m not sure she ever figured out that this nice, manageable-sized lying-down person was the same as that hulking monster who loomed over her the rest of the time.

Pookie is never oblivious, and he’s not your stereotypical cat who wants a human around only when he’s hungry or needs a warm place to curl up in. He has many doglike qualities, though thankfully he doesn’t bark or drool. When he’s feeling emotionally needy, he flings himself on his back in front of me as I’m trying to walk across the living room floor. I used to stop, squat down, and pet him every time, but that got old real quick. So sometimes I’ll just walk by, pretending not to notice—like I’m on my way to something really important in the kitchen—and when I come back through the room 10 minutes later, he’s still on his back with his paws curled in front of him, looking expectantly in my direction. When he’s feeling really needy, he’ll sit by my desk and stare up at me, his big green eyes beaming love rays. When I make eye contact, his head dips a little in acknowledgment and gratitude, but he never takes his eyes off me. That’s when I feel most queenly, like I should be touching his head with a sword or something.

(Am I the only one who finds it necessary to pretend to an animal?)

But at other times, Pookie seems to be reconsidering the wonder that is Mary. His looks are often thoughtful, speculative, as if he’s thinking about all the times I didn’t stop to pet him, the times I yelled at him for sprawling in the middle of the dining room table or tiptoeing across the kitchen counter. Now and then it’s as if a tiny light bulb goes on over his head, his eyes narrow, and the dim, distant thought begins to form that I may not be the perfect royal mistress after all. Like Columbo in his rumpled old raincoat, he seems to be biding his time, collecting evidence without giving anything away. I’m waiting for him to pause at the door and turn back and say, “Oh, one more thing….”

When his loving looks turn to darker glances, I’m afraid he’s seeing directly into the dark regions of my heart. It’s as if he’s my animal soulmate who sees all and knows all. His looks are most disconcerting when he sits a couple of steps down on the staircase and watches me in the upstairs bathroom. I’ll be sitting innocently on the toilet, minding my own business, and I’ll happen to look over, and there he is. All I can see are his ears and frowning eyes peeking over the top step, the rest of his large porky body hidden from view—as if he’s pondering his prey before making the final assault.

Let’s face it, I have not loved Pookie unconditionally, as I loved Tweeter, and I’m sure he knows this. True, my complaints are petty. He’s kind of a pest with all that flopping on his back, he leaves little bits of litter all over the house, he eats whole clumps of his own hair and then has to throw them up, he stands in the litter box with his ass hanging over the side so that the only real point of the litter is to give him something soft to stand in. He’s also very jealous. He used to jump out from behind doors and attack Tweeter, just jump on her back and sink his teeth into her neck. (He had at least 10 pounds on her.) I was constantly rescuing Tweeter and yelling at Pookie. He would turn, his eyes glittering with unspoken thoughts, and skulk away. Tweeter, happily lacking any short-term memory whatsoever, would sidle up to him five minutes later and expect to be licked about the head and shoulders. Pookie would accommodate her until he thought I wasn’t looking, and then CHOMP—Tweeter’s high-pitched cry would ring out, and I’d have to rescue her again.

As you can see, life was much more complicated when I had two subjects, so there won’t be any more little kitties coming to live with the queen until the aging Pookster finally goes to meet his Maker. [Ah, famous last words.]

Speaking of meeting one’s Maker, sometimes I get the feeling that Pookie was sent to me as a spiritual test—a test of my capacity to love an imperfect creature. (Come to think of it, I’ve been tested on this fairly often.) If so, I’m failing badly. My uncanny feeling that he can see directly into my soul makes me wonder what awaits me on Judgment Day. For one thing, what if Pookie is on the panel of judges?

Here’s how I see it going down. I’ll show up for my day in court. I don’t know if Jesus has anything to do with Judgment Day—maybe he’s the public defender. I hope so. Because on Judgment Day, I’ll stand in the dock, look up at the figures on the bench, and this is what I’ll see.

  • all the telemarketers I’ve ever hung up on;
  • almost every dog I’ve ever encountered;
  • most of my ex-girlfriends;
  • several men from my lesbian separatist period;
  • and Pookie… with a gleam in his eye that says, “I’ve got you. I’ve got you now.”

And on this day of days, I won’t be the queen of the realm anymore. I’ll be stripped of my powers, reduced to my true essence as one who failed to love God’s more annoying creatures. And all the judges will be staring down at me, balefully, the way Pookie does now—just the tops of their heads and frowning eyes sticking up over the edge of the bench. Ready to pass judgment on me for all my earthly sins. Ready to let me have it.

Take me as I am without one plea, Pookie,

I throw myself on the mercy of the court.

pet ER

Whenever I sit down at the dining room table to eat, Pookie never fails to rise from whatever heap he’s been dozing in and plod by me on his way to the litter box in the next room. “Ah, mealtime—time to take a dump!” As I watch his tail disappear around the corner, I’ve been known to mutter, “You little prick.”

I was muttering out of the other side of my mouth one day when his frequent trips to the box revealed that something wasn’t right. Unfortunately, I misdiagnosed his problem, just as I had misdiagnosed my appendicitis a couple of years before. I thought he was just constipated, so I plied him with Laxatone and tried to ignore his pathetic appearance as he hunkered oddly around the house and sought out increasingly more obscure hiding places. I checked on him regularly, but sometimes it would take me 10 minutes to find him, and it’s not that big of a place.

Naturally, I didn’t realize how bad the situation was until 11:00 that night, when I was about to go to bed. With the clarity that nighttime brings to any medical emergency, I suddenly knew it couldn’t wait until morning. So I stuffed him into his carrier and took off for the pet emergency hospital a few blocks away. (There are advantages to living in a semi-industrial area. If I want a tire, a windshield, or a piece of lumber, I have but to walk out my door. Apparently, pet hospitals aren’t wanted in the nicer neighborhoods, either.)

I naively expected to be the only one there, but the place was busy—there would be a 2-hour wait! It’s the only pet ER in Marin—or so the girl behind the counter told me when I started to huff myself back out the door with my heavy cargo—so I sat down in the plastic-chaired waiting area begrudgingly—oh so begrudgingly. I was starting to get that buzzy feeling from being up past my bedtime, and I was now convinced that Pookie was at death’s door because of my negligence. Worst of all, I hadn’t brought a book. I kicked myself for stashing a spare read in the duffel bag at home but not in the earthquake kit in the car—proving my point that emergency supplies are never in the right place when you need them. I could have lived in the waiting room for 3 days on the rations I had in the car—but there wasn’t a damn thing to read out there, unless you counted the instructions for purifying water. The only reading matter in the waiting room was Martha Stewart Living, but I wasn’t that desperate.

The other women who were waiting had thought to bring books but were mostly ignoring them in favor of chatting back and forth, encouraging one another about their respective pet emergencies. I was grumpy and didn’t feel like obeying the waiting room rules—at least the rules for women—smiling, being nice, showing an interest. I envy men the social permission they have to sit there like a bump on a log, taking up space, not putting out an iota of “please like me.” Some would say I don’t do much in the please-like-me-iota department myself, but they would be wrong.

As I sat there, trapped, feeling like I had already been tagged a troublemaker when I tried to leave for pet ERs unknown, I wondered if I was on the cusp of that charming time of life when a woman decides that it no longer matters what strangers think of her. Forget all that “When I grow old, I shall wear purple” crap; when I grow old, I shall be a royal pain in the ass to all the young women who still believe that being nice is the first commandment.

After a few minutes, I muster up a smile at the woman closest to the door and tell her I have to leave for 10 minutes. As I run to the car, I wonder if she thinks I’m abandoning my poor cat. I drive home and retrieve my book—fortunately a brilliant one about a young woman who spent a horrible summer with Lillian Hellman—ah, an old woman who had totally lost her desire to be nice! It’s a theme! When I get back with my book safely in hand, I’m able to wait out the rest of the time with equanimity and even summon a smile or two at the new incoming women who have delayed all day taking their cats to the vet.

Eventually, Pookie is diagnosed with a urinary track blockage. The situation is serious, because his kidneys could fail. I get home about 1 a.m., and in the few short remaining hours of the night, I dream that he dies and the vet bill is $30,000.

But when I go back to pick him up at 7 a.m., he’s still alive and the bill is “only” $500—at least for the ER part of the journey. Next stop, the regular vet.

It’s not looking good—both the ER doc and the regular vet say they’re “concerned”—and I’m told it will take 24 hours to get Pookie stabilized. So I try to get some work done in my sleep-deprived state, feeling guilty about all the times I called him a little prick (Pookie, not the vet), and when I come downstairs for dinner there’s a message on my answering machine from the vet saying to call him back before 6:00. It’s 6:15, and I figure it has to be bad news. I curse him (the vet, not Pookie) for not at least giving me an idea of why he was calling. I figure he wouldn’t want to leave the message, “Sorry, your cat is dead,” but I would rather hear that than “Call immediately.”

So I spend the evening worrying, trying to imagine the outcome, trying to prepare myself for the worst. I’m reminded of “Schrödinger’s Cat,” which, if you remember your quantum physics, was a thought experiment about a hypothetical cat in a box and the observer who doesn’t know if the cat is alive or dead until he opens the box. I think Schrödinger proved that the cat is both alive and dead, and so is the observer. I don’t know how that explains life in general or Pookie’s situation in particular, but the puzzle keeps my mind occupied. I can almost see that Pookie’s fate is truly undetermined until I know what it is—and I wonder if it’s true that our existence is entirely dependent on being observed. It’s like the old conundrum about whether a tree falling in the forest makes a noise when there’s no one there to hear. [News flash: the answer is no! A hearing apparatus is needed to receive the sound waves.] But before an event has revealed itself, is it possible that all contingencies are equally present? Note to self: Brush up on your quantum physics.

So in the morning I call the vet at the earliest possible time, and voila! Pookie lives! But the bad news is that he needs surgery to, as the vet delicately puts it, “turn him into a girl.” I want to say, thanks, Dr. Bill, for pointing out that girls are just boys with gashes where our thingies should be. $1,000 later, the surgery is a great success, but it has not been reported whether Pookie has started meowing in a high voice. Wait, he already did that.

So Pookie is now stranded on the planet Venus, having left Mars and certain anatomical parts (the little prick, in fact) far behind. He isn’t out of the woods yet (speaking of trees falling unheard), but I have high hopes, high apple pie in the sky hopes. Oops, there goes another rubber tree plant—

Epilog. What I’ve realized while writing this story is that my attitude toward old Pookie—fortunately, the name is androgynous—has changed. In some ways he’s more of a pain than ever. He’s now prone to urinary tract infections, which require applying ointment at one end and dropperfuls of pink viscous liquid at the other. But there was something about seeing him knock knock knocking on heaven’s door and then getting him back again (do you suppose he got to the light at the end of the tunnel and relatives told him to go back, it wasn’t his time yet?). Anyway, my heart has softened toward the big lug, and now he’s the one who gets treated like royalty.

Maybe Judgment Day won’t be so bad after all.

[Mary McKenney]


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